In the first few pages of
Peter Guralnick's superb book
Sweet Soul Music: Rhythm & Blues and the Southern Dream of Freedom, the author describes
Dan Penn as "the renegade white hero of this book," and
Penn has been widely and justly celebrated by many music historians as one of the great songwriters to emerge from the 1960s soul music boom, penning classic tunes for
Aretha Franklin,
Percy Sledge,
James Carr,
Otis Redding,
James & Bobby Purify, and many more.
Penn is less widely acclaimed as a great soul singer, largely because so few people have heard his work; while
Guralnick and other writers have spoken rhapsodically of the publishing demos
Penn cut in the '60s,
Penn put out only four obscure singles prior to making his misbegotten debut album in 1973, and his body of recorded work remains elusive. Thankfully,
Ace Records has finally made it possible for fans to hear the recordings that so impressed
Guralnick;
The Fame Recordings includes 24 numbers
Penn recorded at Fame Studios in Muscle Shoals, Alabama between 1964 and 1966, all but one of which has never before been released. While a few of these songs would be major hits for other artists, nearly all of them sound like winners, and unlike most songwriters demo-ing their material,
Penn's performances are raw, passionate, full-bodied, and soulful; he was a white kid from the deep south in love with the sound of
Ray Charles and
Bobby "Blue" Bland, and on the best cuts here, he goes past conjuring an approximation of their sound, revealing a voice and style all his own that suggests he influenced the singers who would cut these songs almost as much as they influenced him. While
Penn could mimic other artists -- "I'm Living Good" is an uncanny
Sam Cooke lift, and "Take a Good Look" finds
Penn channeling
Otis Redding -- he puts in enough force and sheer belief to make these performances his own no matter how well you may already know these songs, and with a number of legendary session men backing him up, these recordings are remarkably accomplished, slightly rough but full of the sound of musicians thrilled by the act of creation. (And one can hear more than a bit of what
Penn taught
Alex Chilton when he produced
the Box Tops' original string of hits, transforming
Chilton's British Invasion instincts into some of the most soulful pop of the '60s.)
The Fame Recordings is a valuable lost chapter in the history of Southern Soul, and confirms the legend that
Dan Penn's publishing demos were more than just talk -- anyone with a taste for vintage R&B owes it to himself to give this a listen. ~ Mark Deming