The most inventive, assured, and playful debut in
hip-hop history,
3 Feet High and Rising not only proved that rappers didn't have to talk about the streets to succeed, but also expanded the palette of sampling material with a kaleidoscope of sounds and references culled from
pop,
soul,
disco, and even
country music. Weaving clever wordplay and deft rhymes across two dozen tracks loosely organized around a game-show theme,
De La Soul broke down boundaries all over the LP, moving easily from the groovy my-philosophy intro
"The Magic Number" to an intelligent, caring inner-city vignette named
"Ghetto Thang" to the freewheeling end-of-innocence tale
"Jenifa Taught Me (Derwin's Revenge)." Rappers
Posdnuos and
Trugoy the Dove talked about anything they wanted (up to and including body odor), playing fast and loose on the mic like
Biz Markie. Thinly disguised under a layer of humor, their lyrical themes ranged from true love (
"Eye Know") to the destructive power of drugs (
"Say No Go") to Daisy Age philosophy (
"Tread Water") to sex (
"Buddy").
Prince Paul (from
Stetsasonic) and DJ
Pasemaster Mase led the way on the production end, with dozens of samples from all sorts of left-field artists -- including
Johnny Cash,
the Mad Lads,
Steely Dan,
Public Enemy,
Hall & Oates, and
the Turtles. The pair didn't just use those samples as hooks or drumbreaks -- like most
hip-hop producers had in the past -- but as split-second fills and in-jokes that made some tracks sound more like DJ records. Even
"Potholes on My Lawn," which samples a mouth harp and yodeling (for the chorus, no less), became a big
R&B hit. If it was easy to believe the revolution was here from listening to the rapping and production on
Public Enemy's
It Takes a Nation of Millions to Hold Us Back, with
De La Soul the Daisy Age seemed to promise a new era of positivity in
hip-hop. ~ John Bush