The Magician's Elephant

The Magician's Elephant

The Magician's Elephant

The Magician's Elephant

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Overview

A classic tale by Newbery Medalist Kate DiCamillo, America's beloved storyteller
-The New York Times Book Review
(Ages 8-13)


When a fortuneteller’s tent appears in the market square, orphan Peter Augustus Duchene knows the questions that he needs to ask: Does his sister still live? And if so, how can he find her? The mysterious answer (an elephant! An elephant will lead him there!) sets off a remarkable chain of events. With atmospheric illustrations by Yoko Tanaka, here is a captivating tale that could only be narrated by Newbery Medalist Kate DiCamillo. In this timeless fable, she evokes the largest of themes -hope and belonging, desire and compassion- with the lightness of a magician’s touch.


Product Details

ISBN-13: 9780763649418
Publisher: Candlewick Press
Publication date: 09/08/2009
Sold by: Barnes & Noble
Format: eBook
Sales rank: 304,624
Lexile: 730L (what's this?)
File size: 6 MB
Age Range: 9 - 12 Years

About the Author

About The Author

Kate DiCamillo is one of America’s most beloved storytellers. She is the National Ambassador for Young People’s Literature and a two-time Newbery Medalist. Born in Philadelphia, she grew up in Florida and now lives in Minneapolis, where she faithfully writes two pages a day, five days a week.

Yoko Tanaka is a graduate of the Art Center College in Pasadena, California. She is the illustrator of Theodosia and The Serpents of Chaos by R. L. LaFevers, and Sparrow Girl by Sara Pennypacker. Yoko Tanaka lives in Los Angeles and Bangkok


The theme of hope and belief amid impossible circumstances is a common thread in much of Kate DiCamillo’s writing. In her instant #1 New York Times bestseller The Miraculous Journey of Edward Tulane, a haughty china rabbit undergoes a profound transformation after finding himself facedown on the ocean floor—lost, and waiting to be found. The Tale of Despereaux—the Newbery Medal–winning novel that later inspired an animated adventure from Universal Pictures—stars a tiny mouse with exceptionally large ears who is driven by love to become an unlikely hero. And The Magician’s Elephant, an acclaimed and exquisitely paced fable, dares to ask the question, What if?

Kate DiCamillo’s own journey is something of a dream come true. After moving to Minnesota from Florida in her twenties, homesickness and a bitter winter helped inspire Because of Winn-Dixie—her first published novel, which, remarkably, became a runaway bestseller and snapped up a Newbery Honor. “After the Newbery committee called me, I spent the whole day walking into walls,” she says. “I was stunned. And very, very happy.”

Her second novel, The Tiger Rising, went on to become a National Book Award Finalist. Since then, the master storyteller has written for a wide range of ages. She is the author of six books in the Mercy Watson series of early chapter books, which stars a “porcine wonder” with an obsession for buttered toast. The second book in the series, Mercy Watson Goes for a Ride, was named a Theodor Seuss Geisel Honor Book by the American Library Association in 2007. She is also the co-author of the Bink and Gollie series, which celebrates the tall and short of a marvelous friendship. The first book, Bink&Gollie, was awarded the Theodor Seuss Giesel Award in 2011.
She also wrote a luminous holiday picture book, Great Joy.

Her novel Flora&Ulysses: The Illuminated Adventures won the 2014 Newbery Medal. It was released in fall 2013 to great acclaim, including five starred reviews, and was an instant New York Times bestseller. Flora&Ulysses is a laugh-out-loud story filled with eccentric, endearing characters and featuring an exciting new format—a novel interspersed with comic-style graphic sequences and full-page illustrations, all rendered in black and white by up-and-coming artist K. G. Campbell. It was a 2013 Parents’ Choice Gold Award Winner and was chosen by Amazon, Publishers Weekly, Kirkus Reviews, and Common Sense Media as a Best Book of the Year.

Kate DiCamillo, who was named National Ambassador for Young People’s Literature for 2014–2015, says about stories, “When we read together, we connect. Together, we see the world. Together, we see one another.” Born in Philadelphia, the author lives in Minneapolis, where she faithfully writes two pages a day, five days a week.

Hometown:

Minneapolis, Minnesota

Date of Birth:

March 25, 1964

Place of Birth:

Philadelphia, Pennsylvania

Education:

B.A. in English, University of Florida at Gainesville, 1987

Read an Excerpt

Peter stood in the small patch of light making its sullen way through the open flap of the tent. He let the fortuneteller take his hand. She examined it closely, moving her eyes back and forth and back and forth, as if there a whole host of very small words inscribed there, an entire book about Peter Augustus Duchene composed atop his palm.
(Continues…)



Excerpted from "The Magician's Elephant"
by .
Copyright © 2015 Kate DiCamillo.
Excerpted by permission of Candlewick Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Interviews

Q & A with Author Kate DiCamillo about her new novel The Magician's Elephant

Q. What is your definition of magic? What has happened in your life that is magical or unexpected?

A. I guess my definition of magic is something very close to the definition the magician gives toward the end of the story: "Magic is always impossible. It begins with the impossible and ends with the impossible and is impossible in between. That is why it is magic." I would add, though, that while magic is impossible from beginning to end, it is also possible. Somehow (who knows how?) the impossible gets turned into the possible. That's magic.
Which leads very nicely into the next part of this question: What has happened in my life that is magical or unexpected? Telling stories seems like magic to me; it seems both impossible and possible in that same way. And what has happened to me and my stories - people reading them, liking them, and me getting to make my living telling them - well, talk about unexpected. Talk about magical.

Q. The Magician's Elephant features an animal character. This is a common theme in your novels. Why an elephant this time?

A. I didn't think, Oh boy, I'm going to put an elephant in a story. I guess it happened this way: The story began for me with the magician and the fact that he wanted to perform real magic, true magic. That magician appeared before me in the lobby of a hotel in New York City. I had, in my satchel, a notebook that I was going to give as a gift to someone. The notebook had an elephant on the cover. And when I went into my bag to get my notebook to write a description of the magician I had just caught sight of,I happened to see that other notebook, the one with a picture of an elephant on the front of it.

Q. Was there a specific place that inspired the setting for the city of Baltese?

A. No, but after I finished writing The Magician's Elephant, I saw a movie that took place in Bruges, and I couldn't concentrate at all on what was happening in the movie
because I was so struck by how much Bruges looked like the city of Baltese, the city I had imagined.

Q. The fortuneteller tells Peter that "truth is forever changing." Why is this an important line in the story, and why did you want to share it with children in general?

A. I think this comes back to the whole idea of the impossible suddenly becoming the possible. We have to remain open to those moments when everything can change. I actually think that children are much better at doing this than adults are because they are much less likely to see things in a black-and-white way. All of us, children and adults, need to remind ourselves that the impossible can become possible. That's one of the great gifts of stories.

Q.What was your predominant feeling while writing this book? Was it faith, or fear? Do you know how your endings will turn out when you start?

A. Oh, I'm always afraid when I'm writing. And I never know how things will turn out. This time around it was particularly terrifying because there were so many different balls up in the air, and I had no idea how I would catch them all. But even though I was terrified, I was also, in a strange and wonderful way, healed by the telling of this story. I got out of my own way and let the story tell me how it would all come together. At the same time, I felt something come together, kind of knit itself, inside of me.

Q. How do you feel about the illustrations? Have you ever met Yoko Tanaka?

A. I think the illustrations are an astonishment, a wonder, a marvel. They literally take my breath away. They are haunting and otherworldly and just exactly right. I have never met Yoko, no. And yet she painted the world I imagined.

Q. Isn't that strange and wonderful?

A. Impossible, but true.

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