Publishers Weekly
07/24/2023
Comedian Nancherla debuts with an intimate essay collection reflecting on the mental health challenges she’s navigated while building a career in comedy. In “Now That I Have You Here,” Nancherla recalls feeling insecure trying to break into the white male comedy world as an Indian American woman even after getting hired as a writer for the late-night show Totally Biased W. Kamau Bell, and she suggests that impostor syndrome in marginalized groups is the result of systemic biases “meant to engender uncertainty and lack of confidence in those who didn’t fit the perceived status quo.” Humor leavens the sometimes heavy subject matter, as when Nancherla describes in “Being Well” what she feels during a depressive episode: “The question ‘Why am I such a waste of life?’ suddenly becomes my PhD dissertation, in need of endless defense.” Elsewhere, she discusses battling anorexia, undergoing cosmetic procedures to change “her sleepy eyelid and gummy underbite,” and her “love-hate relationship” with performing standup. Not every piece works; in “The Agreeability Industrial Complex,” Nancherla juxtaposes feeling compelled to say yes to professional opportunities with her lack of interest in sex, but doesn’t quite tease out the connections between the two. Nonetheless, the sardonic humor and candid meditations on mental health resonate. It’s a surprisingly funny take on longing to feel comfortable in one’s own skin. (Sept.)
From the Publisher
The New Yorker Best Books of 2023
NPR's Books We Love 2023
“Unreliable Narrator is both sensitive and side-splitting, as well-researched as it is relatable. Nancherla walks readers through the course of her career, her kamikaze humor infiltrating even the darkest, most revealing parts of her narrative.”—Paste Magazine
"An insightful collection of hilarious, relatable essays...Bringing her talent for humor to the page, Nancherla questions modern culture’s obsession with chasing perfection, our abysmal social media habits and the drudgery of depression."—W Magazine
"[A] super-smart, deliciously readable, achingly poignant and — OK — occasionally humorous new collection of essays."—Los Angeles Times
"A glimpse into the brain of a woman who works very hard to take care of it...[These] essays...tell a story of struggle, skepticism and, ultimately, perseverance."—Washington Post
"In her deliciously self-deprecating memoir Unreliable Narrator...[Nancherla] takes us through her trials and tribulations, from regrettable girlhood crushes to being attacked by Taylor Swift stans."—Interview Magazine
"Aparna Nancherla is a more reliable narrator than she gives herself credit for...[her] first book is a collection of essays—complete with cited expert sources for some—that explore everything from her introverted childhood to her struggles with anxiety, depression (named Brenda) and self-doubt as an adult."—Parade
"Nancherla presents honest, intimate, strikingly astute and well-researched essays."—Bookpage
"A psychological journey through the mind of a hyperintelligent comedian, one who has a hard time fitting in and who bristles against the mainstream because she seems to be so much smarter than the rest of us...Aparna Nancherla provides...[a] self-analysis that tries to justify to herself — and explain to us — why she's a comic."--Vulture
"Hilarious and insightful."--PureWow
"A deadpan feat...In this highly researched essayistic memoir about the convergence of art and mental health, the anxiety-addled, excruciatingly shy, cosmically exhausted Nancherla is looking her self-doubt right in the eyes."--Bustle
"In this funny and insightful collection of essays...[Nancherla] deftly employs the tension and release of a stand-up routine...Readers will relate and will find themselves laughing out loud at this honest and humorous debut."--Booklist
“Comedian Nancherla debuts with an intimate essay collection reflecting on the mental health challenges she’s navigated while building a career in comedy...The sardonic humor and candid meditations on mental health resonate. It’s a surprisingly funny take on longing to feel comfortable in one’s own skin.”–-Publishers Weekly
“A deeply honest and funny look at how exhausting it can be to live a human life, Unreliable Narrator is a book for anyone who wants to laugh and feel less alone.”–-Amy Poehler
“Aparna is a breath of fresh air, and I was rooting for her in every page of her hilarious book of essays.”––Mindy Kaling
“Unreliable Narrator is the kind of book that will turn you into a fan of Aparna if you weren’t already. Funny. Bold. Intelligent. Honest. Vulnerable. You really can’t ask for more except that maybe she ought to write another book. Sorry to give you more work, Aparna, but you’re brilliant!”––Phoebe Robinson
“I hope she believes it, because it’s true: Aparna Nancherla is absolutely brilliant, deeply funny, and--especially when your brain is trying so hard to convince you you’re a lonely, singular, fraud – extremely good company. I’ve never laughed so hard while getting to know myself better.”––John Hodgman
“I love every single thing the wickedly hilarious Aparna Nancherla does – as a human being, a comedian and now, author.”––Tig Notaro
Kirkus Reviews
2023-06-02
An Indian American comedian explores the many faces of impostor syndrome.
Nancherla says that she wanted to write a book about impostor syndrome—which she defines as constantly questioning whether or not she deserves her own success—because she wanted to get over feeling like a fraud. Unfortunately, she confesses, “it turns out nothing summons your impostor syndrome like trying to write a book about it.” In the chapters that follow, Nancherla traces her mental health history, which includes an anecdote about competing in a Miss India DC pageant while battling an eating disorder; watching her depression grow and change over time; and finding the right medications to treat both depression and anxiety. The author astutely analyzes how systems of power have intersected to create her view of herself and her profession. At one point, she responds to reviews of her colleagues’ work during the pandemic by musing, “as if it’s not outright violence to rank creative work generated during a period of large-scale trauma.” In the epilogue, Nancherla admits that writing about impostor syndrome did not, in fact, cure her feelings of inadequacy. On the contrary, she notes, the one thing she learned from the writing process was that “epiphanies…don’t arrive on schedule, and sometimes you’re the last to know you’re having one.” In fact, “epiphanies can take years to sink in.” At its best, this heavily researched memoir is refreshingly perspicacious and darkly funny. Unfortunately, it also swings too abruptly between seriousness and humor, undercutting salient points with unnecessary jokes that jerk readers out of the main story. While the book purports to be about impostor syndrome, Nancherla rarely returns to this central concept, making the text feel more like a mental health memoir than a focused exploration of the stated topic.
An uneven but still worthwhile comic memoir.
