Perhaps the successor to incidental music and the film score is the video game score, which may often use pure orchestral music, not even with electronic elements. It's an interesting question whether this repertory will bleed into the traditional classical marketplace, and the large crossover albums of composer
Christopher Tin, who hails from the same Silicon Valley that produces the games, tend to answer the question in the affirmative. The opening selection of
To Shiver the Sky, "Il Sogno di Volare," was written for a game in the "Civilization" series designed by
Tin's roommate at Stanford,
Soren Johnson; it was
Tin's wildly successful "Baba Yetu," for
Johnson's
Civilization IV, that first put
Tin on the map. The critical point is that
Tin's albums successfully make the transition from video game music to full-fledged collections of compositions, and
To Shiver the Sky perhaps goes even a step further: it is a choral-orchestral song cycle, taking the history of flight as a theme.
Tin draws on an impressive variety of texts, all sung in their original languages. "Il Sogno di Volare" is drawn from writings of
Leonardo da Vinci on the subject of flying, and
Tin brings in
Hildegard von Bingen,
Ovid,
Dante,
Copernicus, astronaut
Yuri Gagarin, the Bhagavad Gita (most ominously), and more, including for the finale,
John F. Kennedy's Rice University address on the U.S. moon shot program.
Tin's music indeed does resemble that of a film score; compared with
John Williams, it may suffer a bit, but whose would not? His settings are varied and engaging, and he conducts the
Royal Philharmonic Orchestra himself, as well as a grouping of English choirs that is well drilled in the many languages involved.
Tin's fans will already be awaiting this release. The new factor commercially is that listeners from beyond the video game sphere may also be interested. ~ James Manheim