The Oxford Handbook of Modern Irish Poetry

The Oxford Handbook of Modern Irish Poetry

The Oxford Handbook of Modern Irish Poetry

The Oxford Handbook of Modern Irish Poetry

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Overview

Forty chapters, written by leading scholars across the world, describe the latest thinking on modern Irish poetry. The Handbook begins with a consideration of Yeats's early work, and the legacy of the 19th century. The broadly chronological areas which follow, covering the period from the 1910s through to the 21st century, allow scope for coverage of key poetic voices in Ireland in their historical and political context. From the experimentalism of Beckett, MacGreevy, and others of the modernist generation, to the refashioning of Yeats's Ireland on the part of poets such as MacNeice, Kavanagh, and Clarke mid-century, through to the controversially titled post-1969 'Northern Renaissance' of poetry, this volume will provide extensive coverage of the key movements of the modern period. The Handbook covers the work of, among others, Paul Durcan, Thomas Kinsella, Brendan Kennelly, Seamus Heaney, Paul Muldoon, Michael Longley, Medbh McGuckian, and Ciaran Carson. The thematic sections interspersed throughout - chapters on women's poetry, religion, translation, painting, music, stylistics - allow for comparative studies of poets north and south across the century. Central to the guiding spirit of this project is the Handbook's consideration of poetic forms, and a number of essays explore the generic diversity of poetry in Ireland, its various manipulations, reinventions and sometimes repudiations of traditional forms. The last essays in the book examine the work of a 'new' generation of poets from Ireland, concentrating on work published in the last two decades by Justin Quinn, Leontia Flynn, Sinead Morrissey, David Wheatley, Vona Groarke, and others.

Product Details

ISBN-13: 9780191636752
Publisher: OUP Oxford
Publication date: 10/25/2012
Series: Oxford Handbooks
Sold by: Barnes & Noble
Format: eBook
File size: 18 MB
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About the Author

Fran Brearton is Reader in English at Queen's University Belfast. Her books include The Great War in Irish Poetry(2000), Reading Michael Longley(2006), and, as co-editor, Modern Irish&Scottish Poetry (2011) and Incorrigibly Plural: Louis MacNeice and His Legacy(2012). Alan Gillis is Lecturer in English at The University of Edinburgh, and editor of Edinburgh Review. His books include Irish Poetry of the 1930s(2005) and, as co-editor, The Edinburgh Introduction to Studying English Literature (2010), as well as three collections of poetry: Here Comes the Night(2010), Hawks and Doves (2007) and Somebody, Somewhere(2004)

Table of Contents

PART I: POETRY AND THE REVIVAL1. Recovering Ancient Ireland, Matthew Campbell2. Yeats and Symbolism, Warwick Gould3. Yeats, Clarke, and The Irish Poet's Relationship with English, Michael O'NeillPART II: THE POETRY OF WAR4. 'The Roses are Torn': Ireland's War Poets, Jim Haughey5. 'Pledged to Ireland': The Poets and Poems of Easter 1916, Gerald Dawe6. W. B. Yeats: Poetry and Violence, Edna LongleyPART III: MODERNISM AND TRADITIONALISM7. Yeats, Eliot, and the Idea of Tradition, Edward Larrissy8. Irish Poetic Modernism: Portrait of the Artist in Exile, Susan Schriebman9. Samuel Beckett: Exile and Experiment, David Wheatley10. Voice & Voiceprints: Joyce and Recent Irish Poetry, Dillon JohnstonPART IV: MID-CENTURY IRISH POETRY11. Patrick Kavanagh's 'Potentialities', Kit Fryatt12. MacNeice Among His Contemporaries: 1939 and 1941, Thomas Walker13. The Poetics of Partition: Poetry and Northern Ireland in the 1940s, Richard Kirkland14. Disturbing Irish Poetry: Kinsella and Clarke 1951-1962, John McAuliffe15. Memory and Starlight in Late MacNeice, Jonathan AllisonPART V: POETRY & THE ARTS16. Modern Irish Poetry and the Visual Arts: Yeats to Heaney, Neil Corcoran17. Poetry, Music, and Reproduced Sound, Damien Keane18. 'Private Relations': Selves, Poems, and Paintings Durcan to Morrissey, Rui Carvalho Homem19. Contemporary Northern Irish Poetry and Romanticism, Peter MackayPART VI: ON THE BORDERS: A FURTHER LOOK AT THE LANGUAGE QUESTION20. 'Ghosts of Metrical Procedures': Translations from the Irish, Aodan Mac Poilin21. Translation as Collaboration: Ni Dhomhnaill and Muldoon, Eric Falci22. Incoming: Irish Poetry and Translation, Justin Quinn23. A Stylistic Analysis of Modern Irish Poetry, Paul SimpsonPART VII: POETRY & POLITICS: 1970S & 1980S24. Befitting Emblems: The Early 1970s, Heather Clark25. 'Neurosis of Sand': Authority, Memory, and the Hunger Strike, Shane Alcobia-Murphy26. Engagements with the Public Sphere in the Poetry of Paul Durcan and Brendan Kennelly, John Redmond27. Domestic Violences: Medbh McGuckian and Irish Women s Writing in the 1980s, Leontia FlynnPART VIII: CULTURAL LANDSCAPES28. Catholic Art and Culture: Clarke to Heaney, Gail McConnell29. In Belfast, Elmer Kennedy-Andrews30. 'Our Lost Lives': Protestantism and Northern Irish Poetry, Peter McDonald31. Walking Dublin: Contemporary Irish Poets in the City, Maria JohnstonPART IX: THE POET AS CRITIC32. The Irish Poet as Critic, Hugh Haughton33. The Poet as Anthologist, Steven Matthews34. Irish Poetry and the News, Jahan RamazaniPART X: ON POETIC FORM35. The Modern Irish Sonnet, Alan Gillis36. Irish Elegy After Yeats, Stephen Regan37. 'Repeat the changes change the repeats': Alternative Irish Poetry, John Goodby38. 'The nothing-could-be-simpler-line': Form in Contemporary Irish Poetry, Fran BreartonPART XI: ON RECENT POETRY39. New Irish Women Poets: The Evolution of (In)determinacy in Vona Groarke, Catriona Clutterbuck40. 'a potted peace / lily'? Northern Irish Poetry Since the Ceasefires, Miriam Gamble
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