Publishers Weekly
★ 12/16/2019
Former NBC News producer Garrett reflects on his 1959 arrival at Harvard University as one of “the largest group of Negroes admitted to a freshman class to date” and interviews 14 of his 17 fellow African-American classmates about their experiences in this vivid and perceptive debut. A Brooklyn native, Garrett spent his childhood summers in South Carolina, where his relatives conveyed “a visceral sense of fear” around local whites. At Harvard, Garrett’s classmates included Wesley Williams, a member of the “elite Negro world” of Washington, D.C., and George Jones from segregated Muskogee, Okla. “Almost from the first day,” Garrett writes, “we Negroes started noticing each other, making mental note of who and where the brothers were.” He describes eating at the “Black Table” in the freshman dining hall and attending house parties in nearby Roxbury, as well as Malcolm X’s 1961 campus visit to debate the merits of integration. Reconnecting with his classmates 50 years later, Garrett notes many educational and professional achievements, including the founding of the African and Afro American Association of Students at Harvard, but laments that their lives have been “bracketed” by Jim Crow and Trumpism. He and coauthor Ellsworth eloquently describe the pressures these students were under, drawing an insightful portrait of the limits of racial progress in America. Expertly blending memoir and cultural history, this outstanding retrospective deserves to be widely read. (Feb.)
From the Publisher
An Essence Black History Month Pick “This engaging story of eighteen remarkable black men admitted to Harvard’s class of 1963 is an eye-opener. Brilliantly placed in historical context, including the unfolding of the Civil Rights Movement, The Last Negroes at Harvard conveys an important message. Namely, the willingness of these young men to embrace, not retreat from, the challenges of racial interaction in an elite setting is in no small measure a reflection of individual pride, self-confidence, and efficacy.”—William Julius Wilson, author of When Work Disappears and More than Just Race “[This] beautifully written narrative…offers a gripping snapshot of how these students ‘stood out and blended in’ as the largest incoming Harvard class of African Americans to date and for a number of years to come. Garrett is a keen observer of his fellow students, and he explores how this experience sharpened his critical thinking skills and raised his consciousness of Negroes as Afro-Americans (later African Americans), Afro-Caribbeans, and Africans. Essential reading for those interested in civil rights, racial identity, and higher education.”—Library Journal, starred review “These extraordinary men chart life journeys that were full of challenges…but also full of accomplishments. Garrett writes with an easy, charming style, but the sense of injustice is palpable. A fine contribution to the literature of civil rights and the African American experience.”—Kirkus, starred review "[Garrett] and coauthor Ellsworth eloquently describe the pressures these students were under, drawing an insightful portrait of the limits of racial progress in America. Expertly blending memoir and cultural history, this outstanding retrospective deserves to be widely read."—Publishers Weekly, starred review "Explores, with candor, verve, and a documentary journalist’s precision, a historic crossroads between the elite echelons of higher education and the civil rights movement."—Boston Globe “The Last Negroes at Harvard is an accomplished work of collective autobiography that tells a compelling story of incipient transformation in a transformative time—but in a place seemingly impervious to disruption.”—New York Journal of Books “Garrett’s memoir offers an instructive peek at a Harvard that has been transformed.”—Washington Post
Kirkus Reviews
★ 2019-10-23
An alumnus of the Harvard class of 1963 recounts an experiment in affirmative action and its lasting effects.
Before 1959, the African American presence at Harvard was minimal to the point of being practically nonexistent. That year, the university recruited 18 young black men—women did not yet enter into the picture—one of them Garrett, who went on to excel in TV news and documentary-making. "I was by no means the first Black at Harvard," he writes. "That was Richard Theodore Greener, who graduated in 1870. From then until the mid-twentieth century, there were sometimes one or two in a class, and often none." The other 17 men were just as capable. In a kind of modern rejoinder to Michael Medved and David Wallechinsky's What Really Happened to the Class of '65? Garrett traces their lives and careers. All acknowledge that a Harvard education had its uses, but most also allow that during their student years, they kept quiet and did their work, careful not to give any reason to be forced out. Some of the former students are expatriates, having found other countries more congenial than the still racially troubled United States. One gentleman who has long lived in Austria after a career at IBM remembers going to student mixers and having classmates rush out to find a black girl for him to dance with: "There we were, the two of us, and all these whites just standing there glowing, saying ‘Isn't it great?' It was very embarrassing for her and for me." Rueful reminiscence sometimes shades into anger, but for the most part, these extraordinary men chart life journeys that were full of challenges—as with a closeted gay classmate who went on to careers in the aerospace, banking, and advertising sectors—but also full of accomplishments. Garrett writes with an easy, charming style ("In the spring of 1962, I was still trying to climb the steep and slippery slope of organic chemistry"), but the sense of injustice is palpable.
A fine contribution to the literature of civil rights and the African American experience.
