The Expendables

The Expendables

by Antonya Nelson
The Expendables

The Expendables

by Antonya Nelson

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Overview

Winner of the Flannery O'Connor Award, Antonya Nelson's debut collection of stories displays the off-beat perceptions, the humor, and the sensibility that have won the author not only critical acclaim but a host of devoted readers.
Most of the stories in The Expendables are about marriage — marriage in process, about to be, about not to be anymore, possibly transgressed, and decidedly not transgressed. In the title story, a teenage boy participates in the spectacle of his sister's second marriage. In "Dog Problems," a husband muses about his wife's attachment to her dog, a bond that predates their marriage and will — he fears — outlast it. There is the woman in "Affair Life," happily encircled by her husband and child, who still must choose between her marriage and what is not quite yet an infidelity. Ranging in setting from Atlanta to Chicago and Kansas City, from the arid Southwest to the course of a river running through Colorado canyon walls, the stories in The Expendables show our relationship with destiny, whether resisted, invented, obeyed, or forced.

Product Details

ISBN-13: 9780684846859
Publisher: Scribner
Publication date: 02/18/1999
Pages: 208
Product dimensions: 5.50(w) x 8.50(h) x 0.40(d)

About the Author

About The Author
Antonya Nelson teaches creative writing at the University of Houston, and is the award-winning author of three novels and four short story collections. Her stories have appeared in The New Yorker, Harper's, and The Best American Short Stories. She divides her time among Texas, Colorado, and New Mexico.

Read an Excerpt

From Chapter One: Listener

"Why did you stop?" her husband asks. His hand had lifted, as it did involuntarily, while she was reading, but as soon as she'd quit it had dropped back into his lap, lifeless. "Julia?" he says, and though his hands are both peacefully draped on his lap, his voice holds the most minor of tremors, perhaps perceptible only by his wife. "Julia, is there something...?"

"It's just that man again."

Averil's hand rises when he hears her voice. It flits to his collar, to his ear, his nose, a pattern his hand has etched into any space Averil inhabits. He is blind, and when he hears his wife's voice, when his hand senses her voice on the air, he must check the other senses rapidly. He is here, they seem to tell him, he fills a shirt, a body; he can enclose himself with his hands.

"Next door?" he says, gently.

"Across the way." Not an alley, just a brief ten-foot space between windows. "I can't get used to apartments," she says, rising to pull the shades. The room shrinks, the light dulls. "But I can't stand his being out there. He just sits on his bed and..."

"And what?" Averil has a smile on his lips, his face and hand following her voice in their own bedroom to the windows, back to the rocker.

"And he listens."

"You read well. You have a lovely voice for reading, and I'm sure he only wants to hear." He crosses his long legs on the bed, fluffs the feather pillows behind him, rubs his temples with his slender fingers. The only part of him he cannot maneuver to his liking is his hair, which triumphs wildly on his head, thick and brown, a few gray strands rising even more mutinously above the rest, coarse and cantankerous. He has the rulable space. She led Averil through the rooms. His hands, clumsy and out of sync with his body in the new rooms, sought the familiar objects of their lives: the smooth round oak table he'd sanded himself, a cold marble vanity stand, the hairy surface of his recliner where his cat Sophie slept, was now sleeping.

It took him no time at all to adjust to the layout. The noise was different. Sirens still startle him in the night. Helicopters and human voices can make him clutch Julia, whose heart leaps for him. It is only then, blackness surrounding both of them, together in a shared blindness, that she mistrusts their judgment. Moving was not good, she thinks. We have done the wrong thing. In these moments she feels anything could happen, that she has so little control in the world that nothing, no place, is safe.

But Averil relaxes, slips into sleep trustingly. His breath against her throat is sweet, not like an adult's but like a child's, clear. His faith in her can calm her; if he trusts her, she must be trustworthy.

Copyright © 1990 by Antonya Nelson

Table of Contents

Contents
Listener
Substitute
Maggie's Baby
The Expendables
Helen in Hollywood
You Boys Be Good
Dog Problems
Cold Places
Affair Lite
Mud Season
Looking for Tower Hall
Slickrock to Bedrock
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