"It's astonishing all the good stuff Pelecanos can pack into one unpretentious book: meaty substance, multiple story lines, vital characters, choice dialogue and all those descriptive details ... that make the story so rich."—Marilyn Stasio , New York Times Book Review Tom Nolan , Wall Street Journal
"Pelecanos' work has antecedents in the books and films of Richard Stark (Donald Westlake), John D. MacDonald, Elmore Leonard and Don Siegel but also a spooky magic all his own -- thanks to the utter believability he maintains."
Tom Nolan - Wall Street Journal
"It's astonishing all the good stuff Pelecanos can pack into one unpretentious book: meaty substance, multiple story lines, vital characters, choice dialogue and all those descriptive details ... that make the story so rich."
Marilyn Stasio - New York Times Book Review
"It's astonishing all the good stuff Pelecanos can pack into one unpretentious book: meaty substance, multiple story lines, vital characters, choice dialogue and all those descriptive details ... that make the story so rich."
Marilyn Stasio - New York Times
It's astonishing all the good stuff Pelecanos can pack into one unpretentious book: meaty substance, multiple story lines, vital characters, choice dialogue and all those descriptive details…that make the story so rich.
The New York Times Book Review - Marilyn Stasio
08/26/2013
"Every time I read one of George Pelecanos's novels -- and The Cut might be the best yet -- I'm left a little awed...The guy's a national treasure."
"Pelecanos at his best...The Cut crackles with energy."
Dan DeLuca - Philadelphia Inquirer
PRAISE FOR THE CUT :
"The writing is spare; the dialogue rings with authenticity; and walking D.C.'s mean streets with Lucas is the next best thing to being there. Easily the best crime novel I've read this year."
Hallie Ephron - Boston Globe
Prolific George Pelecanos's latest novel is a welcome return to the adventures of ex-Marine Spero Lucas, a man who is trying to keep the monster inside him in check. Pelecanos says that if he had his way, Dion Graham would perform all his books. It's easy to see why. Graham's delivery is exciting and breathy, a style that matches the book's nonstop action. While his occasional overemphasis on unimportant words can be a bit distracting, overall Graham brings Lucas to life as a troubled man who earns a living finding missing items and people, while suppressing his urge for violence. The title has a double meaning, referring to the stolen painting Lucas is hired to find and also to the man who stole it—a heartless killer who could be Lucas's twin. M.S. © AudioFile 2013, Portland, Maine
SEPTEMBER 2013 - AudioFile
The second in a series featuring a new investigator represents an update for the veteran mystery novelist. Pelecanos (The Cut , 2011 etc.) has long rotated protagonists rather than settling on a signature hero. His latest is Spero Lucas, who differs from his predecessors in terms of generation, experience and bloodline. And perhaps code of morality as well. A young veteran from the Iraq War, he has become a defense attorney's special investigator at least partly for "a replication of what he'd experienced there every day: a sense of purpose and heightened sensation." He's also a digital native who knows that "the secret most investigators keep is that the bulk of their modern day work is done via computer programs." He comes by his Greek name via adoption, as part of a loving, mixed-race (but dysfunctional) family, and he tends to associate the music that Pelecanos and his previous protagonists favor with his late father. What remains constant throughout the work of the novelist is the deep knowledge of local Washington, D.C. (where this and most of his novels are set), popular culture (from music to sports to literature and beyond) and the human heart. Here, the murder Lucas begins to investigate soon seems like an afterthought, and the romance with which he becomes obsessed seems more like fantasy (though revelatory of his character) than reality. The title (fittingly enough) has a double meaning, referring both to a stolen painting Lucas tries to recover and the adversary he finds himself facing (one of them insists that the two of them are very much alike). He seems to scoff at the very notion of "literary fiction, whatever that was," while praising "a good story told with clean, efficient writing, a plot involving a problem to be solved or surmounted, and everyday characters the reader could relate to." A few more loose ends than usual, but this is a novel Spero Lucas would appreciate. Cult favorite Pelecanos deserves an even wider readership.
