When Take the Sadness Out of Saturday Night appeared, Jack Antonoff was a pop production powerhouse. While he was making Bleachers' third full-length, he also shaped the sound of albums by hugely popular artists including Taylor Swift, Lana Del Rey, the Chicks, and Lorde. Though he was at the top of his game professionally, Antonoff was just beginning to emerge from a deep post-breakup depression, and Take the Sadness captures that tipping point when joy finally shoves desperation out of the way. Perhaps for the first time, Antonoff's music sounds as vulnerable as his lyrics always have; tender strings grace "91"'s feelings of being stuck, while gentle acoustic guitars cradle the closing ballad "What'd I Do with All This Faith?" Of course, he still excels at turning emotional emergencies into exuberantly widescreen pop songs. "Stop Making This Hurt" is classic Bleachers, as are "Big Life" and "How Dare You Want More," all of which boast the shout-along choruses that have been Antonoff's trademark since the Fun. days. Looking back to move forward has also always been at the heart of Bleachers' music, and Antonoff uncovers something new each time he does it. Though the therapeutic openness of his songwriting has a lot in common with his collaborators and clients, his knack for penning anthemic yet down-to-earth songs goes back to his New Jersey roots and another of that state's favorite sons, Bruce Springsteen. The way Antonoff bridges pristine synth pop and gritty rock on songs like "Don't Go Dark" evokes Born in the U.S.A., and when the Boss himself appears on "Chinatown," it's almost too perfect. In keeping with the album's feeling of change, Take the Sadness offers a warmer and more organic take on Bleachers' music that's as evident in details like the lo-fi vocals on "Strange Behavior" as it is in the album's entire vibe. More mature than either Strange Desire or Gone Now but just as life-affirming, Take the Sadness Out of Saturday Night is a refreshingly different perspective on Bleachers and a heartfelt soundtrack to millennial midlife crises. ~ Heather Phares