Scientific Investigation of Copies, Fakes and Forgeries

Scientific Investigation of Copies, Fakes and Forgeries

Scientific Investigation of Copies, Fakes and Forgeries

Scientific Investigation of Copies, Fakes and Forgeries

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Overview

The faking and forgery of works of art and antiquities is probably now more extensive than ever before. The frauds are aided by new technologies, from ink jet printers to epoxy resins, and driven by the astronomic prices realised on the global market.

This book aims to provide a comprehensive survey of the subject over a wide range of materials, emphasising how the fakes and forgeries are produced and how they may be detected by technical and scientific examination. The subject is exemplified by numerous case studies, some turning out not to be as conclusive as is sometimes believed.

The book is aimed at those likely to have a serious interest in these investigations, be they curator, collector, conservator or scientist.

Paul Craddock has recently retired from the Department of Conservation, Documentation and Science at the British Museum, where he was a materials scientist.


Product Details

ISBN-13: 9781136436017
Publisher: Taylor & Francis
Publication date: 02/04/2009
Sold by: Barnes & Noble
Format: eBook
Pages: 640
File size: 124 MB
Note: This product may take a few minutes to download.

About the Author

Paul Craddock

Table of Contents

Chapter 1 Introduction: Sources, motives, approaches and disclosures; Chapter 2 Physical examination I: Observation; Chapter 3 Physical examination II: Determining composition; Chapter 4 Making a three-dimensional copy; Chapter 5 Physical dating techniques I: Radiocarbon dating; Chapter 6 Physical dating techniques II: Thermoluminescence and dendrochronology; Chapter 7 Metals I: Composition; Chapter 8 Metals II: Metalwork and coins; Chapter 9 Ceramics; Chapter 10 Glass and enamels; Chapter 11 Stone and sculpture; Chapter 12 Painting; Chapter 13 Paper, prints and documents; Chapter 14 The patination of copper and its alloys; Chapter 15 Gold and silver; Chapter 16 Gemstones and jade; Chapter 17 Organic materials: Mainly natural; Chapter 18 Organic materials: Mainly synthetic and cloth; Chapter 19 Scientific fraud and Charles Dawson; Chapter 20 Conservation and concealment: The problems of restoration;
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