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My Darling Girl

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My Darling Girl

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Overview

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Possession horror that grabs a hold of you in the way you would want in a novel, but certainly not in real life. This is genuinely terrifying and yet wholesome and human in its emotion resonance.

The New York Times bestselling author of the “otherworldly treat” (People) The Drowning Kind and The Children on the Hill returns with a spine-tingling psychological thriller about a woman who, after taking in her dying, alcoholic mother, begins to suspect demonic possession is haunting her family.

Alison has never been a fan of Christmas. But with it right around the corner and her husband busily decorating their cozy Vermont home, she has no choice but to face it. Then she gets the call.

Mavis, Alison’s estranged mother, has been diagnosed with cancer and has only weeks to live. She wants to spend her remaining days with her daughter, son-in-law, and two granddaughters. But Alison grew up with her mother’s alcoholism and violent abuse and is reluctant to unearth these traumatic memories. Still, she eventually agrees to take in Mavis, hoping that she and her mother could finally heal and have the relationship she’s always dreamed of.

But when mysterious and otherworldly things start happening upon Mavis’s arrival, Alison begins to suspect her mother is not quite who she seems. And as the holiday festivities turn into a nightmare, she must confront just how far she is willing to go to protect her family.

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About the Author

Product Details

ISBN-13:	9781797163819
Publisher:	Simon & Schuster Audio
Publication date:	10/03/2023
Sales rank:	716,102
Product dimensions:	5.80(w) x 5.60(h) x 1.10(d)

About the Author

Jennifer McMahon is the author of Dismantled, the New York Times bestseller Island of Lost Girls, and the breakout debut novel Promise Not to Tell, among other works. She lives in Vermont with her partner, Drea, and their daughter, Zella.

Kitty Hendrix is from Carmel, California, and has been a professional actor/singer since childhood. She moved to New York City after college and found jobs singing in concert venues, cabarets, comedy clubs, and recording studios. She also acted in theater productions, originating more than twenty leading roles; appeared in film and television; and was a founding producer of Legacy Stage Ensemble, a theater company dedicated to the exploration of generational and social issues.

Recording audiobooks since 2013 at her studio in NYC and working in nearly every genre, Kitty has consistently received excellent reviews for her work from AudioFile magazine and others. In 2018 Kitty was nominated as a finalist for an Audie Award for her narration of Daisy Miller by Henry James.

Kitty now lives and records in the Catskill region of New York with her Shiba Inu, Reiki, and progressive activist/writer husband Alan Charney, where she also enjoys gardening, interior design, and organic cooking. She is a proud member of SAG-AFTRA and Actors' Equity.

Hillary Huber is one of the most successful voice talents in Los Angeles. Recent books read for Blackstone Audio include Him, Her, Him Again, the End of Him by Patricia Marx, A Field of Darkness by Cornelia Read, and A Map of Glass by Jane Urquhart.

From the B&N Reads Blog

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Editorial Reviews

Jennifer McMahon takes an all-too-relatable idea—who hasn’t been driven a bit mad by their mother?—and deftly twists it into a tale of supernatural suspense and psychological thrills. My Darling Girl is the rare book that delivers both chilling scares and genuine emotion—I got goosebumps from both."

New York Times bestselling author Chandler Baker

08/14/2023
McMahon follows up 2022’s The Children on the Hill with a chilling if predictable Christmas-themed supernatural mystery. Though Alison O’Conner dislikes Christmas, she’s the author of a successful holiday-themed children’s book, and her two daughters and chronically optimistic husband, Mark, adore Christmas with all the fervor of Hallmark movie characters. One afternoon, Alison receives a call from her alcoholic artist mother’s assistant, Paul, asking her to visit her mother, Mavis, in the hospital, where she’s entering the final stages of pancreatic cancer. Though Alison was abused both physically and emotionally by Mavis and still bears the scars, she agrees to see her, and eventually allows Mavis to spend the final weeks of her life at Alison’s Vermont home while Christmas approaches. As Alison sees her daughters and her husband begin to fall under Mavis’s spell, she comes to suspect the impossible—that the demonic woman who raised her may have been an actual demon all along. McMahon establishes a creepy atmosphere, but she gives the demonic shtick away early, and fails to provide many surprises or deepen the central metaphor from there. Still, readers who prefer their Christmas dinner with a side of supernatural dread may enjoy this. Agent: Daniel Lazar, Writers House. (Oct.)

Publishers Weekly

Twisty, propulsive, character-driven, and hair-raisingly scary novels are true rarities, but Jennifer McMahon manages this singular feat with My Darling Girl.”

—Nick Cutter, bestselling author of The Troop

"Jennifer McMahon takes an all-too-relatable idea—who hasn't been driven a bit mad by their mother?—and deftly twists it into a tale of supernatural suspense and psychological thrills. My Darling Girl is the rare book that delivers both chilling scares and genuine emotion—I got goosebumps from both."

—Chandler Baker, New York Times bestselling author of Whisper Network and Cutting Teeth

"When your estranged, abusive, and dying mother comes to spend her final days at your house and that's only the start of your problems ... My Darling Girl is a thrilling, heady mix of family dynamics and one hell of a clever and page-turning possession story. And scary. Like I couldn't read it before going to bed scary. Good luck, reader."

—Paul Tremblay, author of The Cabin at the End of the World and A Head Full of Ghosts

From the Publisher

Jennifer McMahon’s storytelling skills are on full display . . . This novel feels like what you’d get if you injected The Exorcist into a Hallmark Christmas movie. And that’s a good thing.” - New York Times Book Review

New York Times - New York Times Book Review

09/01/2023
A fraught bond between mother and daughter takes a demonic turn in this compelling work of psychological horror. Alison has a complicated relationship with her mother, Mavis, who is addicted to alcohol. Subjected throughout her childhood to both physical and psychological abuse that included the cruelest of tricks, which escalated after her father's suicide when she was young, Alison is now focused on her husband, her two daughters, and their cozy 1890s farmhouse in Vermont. She is a heartbreakingly relatable protagonist, dealing with the effects of the trauma of her youth while working hard to be a good wife and mother. But, as one Christmas approaches, Alison receives a call informing her that Mavis has only weeks to live, and she wants to spend them with Alison and her family. Alison ultimately agrees, attempting cautious optimism yet unable to shake suspicion and paranoia that mounts as increasingly troubling incidents befall those around her. VERDICT With detail that is simultaneously luscious and eerie and a story that is at once familiar and yet possessed by something unnamable, this novel won't disappoint fans of McMahon (The Children on the Hill) or first-time readers.—Emily Vinci

Library Journal

2023-07-26
Alison barely survived a traumatic childhood with her wildly unpredictable, alcoholic mother, Mavis. So it is with no small amount of trepidation that she agrees to bring her mother home to die of cancer.
Mavis’ longtime assistant, Paul, seems agitated when they arrive at Alison’s Vermont farmhouse, but once he leaves, the two women seem to settle into an uneasy truce, and Mavis is sweet and engaging with Alison’s two daughters, especially 6-year-old Olivia. Sixteen-year-old Izzy finds her “creepy,” but soon, she, too, is joining Mavis for tea and interviewing her for a film project. Haunted by childhood memories and disturbed by the rock her mother keeps by her at all times and seems to value above all else, Alison feels like she’s the only one suspicious about her mother’s motives in coming to Vermont, but she can’t deny that the rest of the family has been charmed. Olivia, however, begins to have nightmares, and Mavis taunts Alison with some of her childhood secrets that no one could know. Then Paul—who’s come to visit—runs out of the house after a brief exchange with his employer, telling Alison, “That’s not Mavis.” What follows is chilling, and terrifying, and heartbreakingly terrific horror writing. Alison must unravel her mother’s secrets and begins to realize that her mother’s abuse, perhaps, was in part driven by a desire to protect her. While there is a clear and logical explanation for all the mystery, it’s not one that any other person in Alison’s life can understand or accept, so she finds herself alone, losing the trust of her loved ones as she fights like hell to protect her daughters. While it’s common in horror for secondary characters to cling to a more “realistic” explanation, like mental illness due to trauma, in lieu of accepting evidence of the supernatural, it’s somewhat discouraging to see this trope here. Alison’s strength deserves a better, kick-ass outcome—even if the ending proves how inevitably evil may triumph. Just once: Listen and believe the woman!
Freakin’ terrifying.

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