Mennonite in a Little Black Dress: A Memoir of Going Home

Mennonite in a Little Black Dress: A Memoir of Going Home

by Rhoda Janzen

Narrated by Hillary Huber

Unabridged — 8 hours, 15 minutes

Mennonite in a Little Black Dress: A Memoir of Going Home

Mennonite in a Little Black Dress: A Memoir of Going Home

by Rhoda Janzen

Narrated by Hillary Huber

Unabridged — 8 hours, 15 minutes

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Overview

A hilarious and moving memoir in the spirit of Anne Lamott and Nora Ephron about a woman who returns home to her Mennonite family after a personal crisis.

The same week her husband of 15 years ditches her for a guy he met on Gay.com, a partially inebriated teenage driver smacks her VW Beetle head-on. Marriage over, body bruised, life upside-down, Rhoda does what any sensible 43-year-old would do: She goes home.

But hers is not just any home. It's a Mennonite home, the scene of her painfully uncool childhood and the bosom of her family: handsome but grouchy Dad, plain but cheerful Mom. Drinking, smoking, and slumber parties are nixed; potlucks, prune soup, and public prayer are embraced. Having long ago left the faith behind, Rhoda is surprised when the conservative community welcomes her back with open arms-and offbeat advice. She discovers that this safe, sheltered world is the perfect place to come to terms with her failed marriage and the choices that both freed and entrapped her.

Editorial Reviews

Kate Christensen

Mennonite in a Little Black Dress is snort-up-your-coffee funny, breezy yet profound, and poetic without trying. In fact, the whole book reads as if Janzen had dictated it to her best non-Menno friend, in her bathrobe, over cups of tea…Her tone reminds me of Garrison Keillor's deadpan, affectionate, slightly hyperbolic stories about urbanites and Minnesota Lutherans, and also of the many Jewish writers who've brought mournful humor to the topics of gefilte fish and their own mothers, as well as to the secular, often urban, often intellectual world they call home now. It's the narrative voice of the person who grew up in an ethnic religious community, escaped it, then looked back with clearsighted objectivity and appreciation.
—The New York Times

Publishers Weekly

At first, the worst week of Janzen's life—she gets into a debilitating car wreck right after her husband leaves her for a guy he met on the Internet and saddles her with a mortgage she can't afford—seems to come out of nowhere, but the disaster's long buildup becomes clearer as she opens herself up. Her 15-year relationship with Nick had always been punctuated by manic outbursts and verbally abusive behavior, so recognizing her co-dependent role in their marriage becomes an important part of Janzen's recovery (even as she tweaks the 12 steps just a bit). The healing is further assisted by her decision to move back in with her Mennonite parents, prompting her to look at her childhood religion with fresh, twinkling eyes. (She provides an appendix for those unfamiliar with Mennonite culture, as well as a list of “shame-based foods” from hot potato salad to borscht.) Janzen is always ready to gently turn the humor back on herself, though, and women will immediately warm to the self-deprecating honesty with which she describes the efforts of friends and family to help her re-establish her emotional well-being. (Oct.)

Kirkus Reviews

The author takes stock of the tribulations, tragedy and hilarity that has shaped her experiences thus far, reexamining religious roots, familial influences and personal choices. Janzen (English and Creating Writing/Hope Coll.; poems: Babel's Stair, 2006) excavates her past with the might of a backhoe and the finesse of an archaeologist's brush. Lines as jolting as "Nick had been drinking and offering to kill me and then himself," about her troubled ex-husband, are tempered by poignant moments of grace during her recovery from a debilitating accident: "Because I couldn't raise my right arm, students sprang up to take notes on the board." The author's relatives feature prominently throughout the narrative, her mother's quirky sensibilities bubbling over in merry nuggets of old-fashioned, home-spun wisdom. Punctuating overarching themes of blithe humor and Mennonite values are brief glimpses of raw despair, which Janzen eloquently, albeit briefly, explores. The recurring question of whether her abusive former spouse ever loved her is found in numerous contexts-solemn, analytical, even whimsical. After hesitantly re-entering the dating world, the author faced the revelation that she is woefully codependent by creating her own 12-step program, with directives such as "Step Two: Sit Down at the Computer with Wild Medusa Hair" and "Step Ten: Branch Out from Borscht." Within the humor, Janzen offers depictions of calamity and dark truths about regrettable relationships. Unfortunately, the closing primer on Mennonite history falls flat. A buoyant, somewhat mordant ramble through triumphs, upheavals and utter normalcy. Agent: Michael Bourret/Dystel & Goderich Literary Management

From the Publisher

This book is not just beautiful and intelligent, but also painfully — even wincingly — funny. It is rare that I literally laugh out loud while I'm reading, but Rhoda Janzen's voice — singular, deadpan, sharp-witted and honest — slayed me, with audible results. I have a list already of about fourteen friends who need to read this book. I will insist that they read it. Because simply put, this is the most delightful memoir I've read in ages.” —Elizabeth Gilbert, author of Eat, Pray, Love

“This is an intelligent, funny, wonderfully written memoir. Janzen has a gift for following her elegant prose with the perfect snarky aside. If it weren't for the weird Mennonite food, I would like very much to be her friend.” —Cynthia Kaplan, author of Why I'm Like This and Leave the Building Quickly

author of Why I'm Like This and Leave the Buildin Cynthia Kaplan

This is an intelligent, funny, wonderfully written memoir. Janzen has a gift for following her elegant prose with the perfect snarky aside. If it weren't for the weird Mennonite food, I would like very much to be her friend.

OCTOBER 2009 - AudioFile

Hillary Huber's narration has a sharp edge that deals effectively with the ironic humor that runs throughout this memoir. Years into her marriage to an abusive, bipolar man, Janzen ultimately loses him—to a man he met on the Internet. She turns to her Mennonite upbringing to help see her through and ends up moving back home with her parents, a move that prompts her to look at the Mennonite religion and culture with fresh eyes. Janzen’s husband’s defection obviously had a profound effect on her, and Huber recites her frequent references to “Bob” from gay.com almost like a mantra. In other places, Huber’s tone aptly depicts Janzen’s habit of coping through humor and introspection. J.E.M. © AudioFile 2009, Portland, Maine

Product Details

BN ID: 2940170069156
Publisher: HighBridge Company
Publication date: 10/13/2009
Edition description: Unabridged

Read an Excerpt

Mennonite in a Little Black Dress

A Memoir of Going Home
By Janzen, Rhoda

Holt Paperbacks

Copyright © 2010 Janzen, Rhoda
All right reserved.

ISBN: 9780805092257

ONE 

The Bridegroom Cousin

The year I turned forty-three was the year I realized I should have never taken my Mennonite genes for granted. I’d long assumed that I had been genetically scripted to robust physical health, like my mother, who never even catches a head cold. All of my relatives on her side, the Loewens, enjoy preternaturally good health, unless you count breast cancer and polio. The polio is pretty much a done deal, thanks to Jonas Salk and his talent for globally useful vaccinations. Yet in the days before Jonas Salk, when my mother was a girl, polio crippled her younger brother Abe and also withered the arm of her closest sister Gertrude. Trude bravely went on to raise two kids one-armed, and to name her withered arm Stinky.

_____ Yes, I think "Stinky" is a cute name for a withered arm!

_____ No, I’d prefer to name my withered arm something with a little more dignity, such as Reynaldo.

Although breast cancer also runs in my family, it hasn’t played a significant role. It comes to us late in life, shriveling a tit or two, and then often subsiding under the composite resistance of chemo and buttermilk. That is, it would shrivel our tits if we had tits. Which we don’t.

As adolescents, mysister Hannah and I were naturally anxious to see if we would turn out more like our mother or our father. There was a lot at stake. Having endured a painfully uncool childhood, we realized that our genetic heritage positioned us on a precarious cusp. Dad was handsome but grouchy; Mom was plain but cheerful. Would we be able to pass muster in normal society, or would our Mennonite history forever doom us to outsider status?

My father, once the head of the North American Mennonite Conference for Canada and the United States, is the Mennonite equivalent of the pope, but in plaid shorts and black dress socks pulled up snugly along the calf. In the complex moral universe that is Mennonite adulthood, a Mennonite can be good-looking and still have no sartorial taste whatsoever. My father may actually be unaware that he is good-looking. He is a theologian who believes in a loving God, a servant heart, and a senior discount. Would God be pleased if we spent an unnecessary thirty-one cents at McDonald’s? I think not.

At six foot five and classically handsome, Dad has an imposing stature that codes charismatic elocution and a sobering, insightful air of authority. I’ve considered the possibility that his wisdom and general seriousness make him seem handsomer than he actually is, but whatever the reason, Dad is one of those people to whom everybody listens. No matter who you are, you do not snooze through this man’s sermons. Even if you are an atheist, you find yourself nodding and thinking, Preach it, mister!

Well, not nodding. Maybe you imagine you’re nodding. But in this scenario you are in a Mennonite church, which means you sit very still and worship Jesus with all your heart, mind, and soul, only as if a snake had bitten you, and you are now in the last stages of paralysis.

I may be the first person to mention my father’s good looks in print. Good looks are considered a superfluous feature in a Mennonite world leader, because Mennonites are all about service. Theoretically, we do not even know what we look like, since a focus on our personal appearance is vainglorious. Our antipathy to vainglory explains the decision of many of us to wear those frumpy skirts and the little doilies on our heads, a decision we must have arrived at only by collectively determining not to notice what we had put on that morning.

My mother, unlike my father, is not classically handsome. But she does enjoy good health. She is as buoyant as a lark on a summer’s morn. Nothing gets this woman down. She is the kind of mother who, when we were growing up, came singing into our bedrooms at 6:00 a.m., tunefully urging us to rise and shine and give God the glory, glory. And this was on Saturday, Saturday. Upbeat she is. Glamorous she is not. Once she bought Hannah a black T-shirt that said in glittery magenta cursive, NASTY!! She didn’t know what it meant. When we told her, she said sunnily, "Oh well, then you can wear it to work in the garden!"

Besides being born Mennonite, which is usually its own beauty strike, my mother has no neck. When we were growing up, our mother’s head, sprouting directly from her shoulders like a friendly lettuce, became something of a family focus. We’d take every opportunity to thrust hats and baseball caps upon her, which made us all shriek with unconscionable laughter. Mom would laugh good-naturedly, but if we got too out of hand, she’d predict that our Loewen genes would eventually assert themselves.

And they did. Although I personally have and appreciate a neck, I was, by my early forties, the very picture of blooming Loewen health: peasant-cheeked, impervious to germs, hearty as an ox. I rarely got sick. And the year before the main action of this memoir occurs, I had sustained a physical debilitation—I won’t say illness—so severe that I thought I was statistically safe for years to come.

I was only forty-two at the time, but my doctor advised a radical salpingo-oopherectomy. For the premenopausal set, that translates to "Your uterus has got to go." A hushed seriousness hung in the air when the doctor first broached the subject of the hysterectomy.

I said, "You mean dump my whole uterus? Ovaries and everything?"

"Yes, I’m afraid so."

I considered a moment. I knew I should be feeling a kind of feminist outrage, but it wasn’t happening. "Okay."

Dr. Mayler spoke some solemn words about a support group. From his tone I gathered that I also ought to be feeling a profound sense of loss, and a cosmic unfairness that this was happening to me at age forty-two, instead of at age—what?—fifty-six? I dutifully wrote down the contact information for the support group, thinking that maybe I was in denial again. Maybe the seriousness and the pathos of the salpingo-oopherectomy would register later. By age forty-two I had learned that denial was my special modus operandi. Big life lessons always kicked in tardily for me. I’ve always been a bit of a late bloomer, a slow learner. The postman has to ring twice, if you get my drift.

My husband, who got a vasectomy two weeks after we married, was all for the hysterectomy. "Do it," he urged. "Why do you need that thing? You don’t use it, do you?"

In general, Nick’s policy was, if you haven’t used it in a year, throw it out. We lived in homes with spare, ultramodern decor. Once he convinced me to furnish a coach house with nothing but a midcentury dining table and three perfect floor cushions. You know the junk drawer next to the phone? Ours contained a single museum pen and a pad of artisan paper on a Herman Miller tray.

Nick therefore supported the hysterectomy, but only on the grounds of elegant understatement. To him the removal of unnecessary anatomical parts was like donating superfluous crap to Goodwill. Had the previous owners left a beer raft in the garage, as a thoughtful gift to you? No thanks! We weren’t the type of people who would store a beer raft in our garage—not because we opposed beer rafts per se, but because we did not want to clutter an uncompromising vista of empty space. Nick led the charge to edit our belongings, but I willingly followed. Had you secretly been wearing the same bra since 1989? Begone, old friend! Were you clinging to a sentimental old wedding dress? Heave ho! Nick’s enthusiasm for the hysterectomy made me a little nervous. I kept taking my internal temperature, checking for melancholy. The medical literature I was reading told me I should be fe

Continues...


Excerpted from Mennonite in a Little Black Dress by Janzen, Rhoda Copyright © 2010 by Janzen, Rhoda. Excerpted by permission.
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