Lucy by the Sea: A Novel

Lucy by the Sea: A Novel

by Elizabeth Strout

Narrated by Kimberly Farr

Unabridged — 8 hours, 19 minutes

Lucy by the Sea: A Novel

Lucy by the Sea: A Novel

by Elizabeth Strout

Narrated by Kimberly Farr

Unabridged — 8 hours, 19 minutes

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Overview

NEW YORK TIMES*BESTSELLER ¿ From the Pulitzer Prize-winning author of*My Name is Lucy Barton*and*Olive Kitteridge*comes a*“poised and moving” (Vogue) novel about a divorced couple stuck together during lockdown-and the love, loss, despair, and hope that animate us even as the world seems to be falling apart.

“Strout's*understanding of the human condition is capacious.”-NPR

A BEST BOOK OF THE YEAR: The New York Times Book Review, The New Yorker, Oprah Daily, Entertainment Weekly, San Francisco Chronicle, NPR, Time, The Washington Post, The Christian Science Monitor, PopSugar, She Reads


With her trademark spare, crystalline prose-a voice infused with “intimate, fragile, desperate humanness” (The Washington Post)-Elizabeth Strout turns her exquisitely tuned eye to the inner workings of the human heart, following the indomitable heroine of My Name Is Lucy Barton through the early days of the pandemic.

As a panicked world goes into lockdown, Lucy Barton is uprooted from her life in Manhattan and bundled away to a small town in Maine by her ex-husband and on-again, off-again friend, William. For the next several months, it's just Lucy, William, and their complex past together in a little house nestled against the moody, swirling sea.

Rich with empathy and emotion, Lucy by the Sea vividly captures the fear and struggles that come with isolation, as well as the hope, peace, and possibilities that those long, quiet days can inspire. At the heart of this story are the deep human connections that unite us even when we're apart-the pain of a beloved daughter's suffering, the emptiness that comes from the death of a loved one, the promise of a new friendship, and the comfort of an old, enduring love.

Shortlisted for the Rathbones Folio Prize

Editorial Reviews

Publishers Weekly

★ 07/04/2022

Strout follows up Oh William! with a captivating entry in the Lucy Barton series. This time, Lucy decamps to rural Maine during the first year of the Covid lockdown. At the pandemic’s onset in 2020, Lucy’s philandering ex-husband and longtime friend, William, whisks her away from New York City to a rental house in coastal Maine. He may have self-centered ulterior motives beyond his assertion that he’s trying to save her life, but they are not readily transparent for most of the narrative. Personal and public events intrude during the lockdown as the pair develop a “strange compatibility” while attempting to comprehend the new normal. Their two daughters each face a crisis in their marriage; William contacts his once unknown half sister, Lois Bubar, and reveals a life-threatening medical condition; and the country roils from George Floyd’s murder and the insurrection on January 6. Bleak memories of Lucy’s impoverished childhood and of her recently deceased husband surface in shattering flashbacks. Loneliness, grief, longing, and loss pervade intertwined family stories as Lucy and William attempt to create new friendships in an initially hostile town. What emerges is a prime testament to the characters’ resilience. With Lucy Barton, Strout continues to draw from a deep well. Agent: Molly Friedrich, Friedrich Agency. (Sept.)

From the Publisher

No novelist working today has [Elizabeth] Strout’s extraordinary capacity for radical empathy, for seeing the essence of people beyond reductive categories, for uniting us without sentimentality. I didn’t just love Lucy by the Sea; I needed it. May droves of readers come to feel enlarged, comforted, and genuinely uplifted by Lucy’s story.”The Boston Globe

“Heartwarming as well as somber . . . Although simple on the surface, Strout’s new novel manages, like her others, to encompass love and friendship, joy and anxiety, grief and grievances, loneliness and shame—and a troubling sense of growing unrest and division in America. . . . Strout’s understanding of the human condition is capacious.”—NPR

“Rendered in Strout’s graceful, deceptively light prose . . . Lucy’s done the hard work of transformation. May we do the same.” The New York Times Book Review

“Like all of Strout’s novels, Lucy by the Sea has an anecdotal surface that belies a firm underlying structure. It is meant to feel like life—random, surprising, occasionally lit with flashes of larger meaning—but it is art.”The New Yorker

“The novel inhabits an emotionally rich terrain, where past failures shine light on future possibilities, where strength comes from vulnerability and where chance challenges choices. . . . Strout is a natural and generous writer, letting feeling and intuition lead her craft.”—Associated Press

“Deeply moving and quietly funny.”The New York Times (100 Notable Books of 2022)

“Strout fans will delight in the appearance of beloved characters from previous novels, including Olive Kitteridge and Isabelle . . . as they struggle and hope—together but in isolation.”The Washington Post (50 Notable Works of Fiction)

“Through her empathetic hand, Strout reveals what was lost in this turbulent time, but also—via her discoveries about marriage, family, and love—what Lucy gained.”Time

“Poised and moving . . . It is only in the steady hands of Strout, whose prose has an uncanny, plainspoken elegance, that you will want to relive those early months of wiping down groceries and social isolation. . . . This is a slim, beautifully controlled book that bursts with emotion.”Vogue

“The Pulitzer Prize–winning Portland author reprises her Lucy Barton character to convert the grimmest period in our recent past into something triumphant and hopeful.”Portland Press Herald

“A quietly profound book about grief and loss—oh, so much loss!—but also kindness, generosity and resilience.”Minneapolis Star Tribune

“Strout excels at distilling complex human emotions—fear of failure, regret that we never measured up— into something familiar and understandable.”BookTrib

“Strout follows up Oh William! with a captivating entry in the Lucy Barton series. . . . What emerges is a prime testament to the characters’ resilience. With Lucy Barton, Strout continues to draw from a deep well.”Publishers Weekly (starred review)

SEPTEMBER 2022 - AudioFile

Kimberly Farr, much lauded for her narration of Strout’s Amgash series, brings her characteristic blend of introspection and compassion to this next chapter in Lucy Barton’s life. As the pandemic begins, Lucy, at the urging of her ex-husband, William, flees New York City for the relative calm of coastal Maine. Farr describes Lucy’s initial confusion over William’s worries, which morphs into dread as she comes to see the devastation that COVID wreaks on her family and friends. With perfectly modulated tones, Farr depicts Strout’s awkward, frail, and flawed characters while allowing listeners to glimpse the powerful emotions that threaten to overwhelm them. Although many of Lucy’s recollections tread familiar ground, listeners will be pleased to revisit her world through Farr’s exquisite narration. S.A.H. Winner of AudioFile Earphones Award © AudioFile 2022, Portland, Maine

Kirkus Reviews

2022-06-08
Lucy Barton flees pandemic-stricken New York City for Maine with ex-husband William.

This is the third time Lucy has chronicled the events and emotions that shape her life, and the voice that was so fresh and specific in My Name Is Lucy Barton (2016), already sounding rather tired in Oh, William! (2021), is positively worn out here. Fatigue and disorientation are natural responses to a cataclysmic upheaval like the coronavirus, but unfortunately, it’s Strout’s imagination that seems exhausted in this meandering tale, which follows Lucy and William to Maine, relates their experiences there in haphazard fashion, and closes with their return to New York. Within this broad story arc, Lucy’s narration rambles from topic to topic: her newfound closeness with William; his unfaithfulness when they were married; their two daughters’ marital and health issues; her growing friendship with Bob Burgess; the surprise reappearance of William’s half sister, Lois; and memories of Lucy’s impoverished childhood, troubled relations with her parents, and ongoing difficulties with her sister, Vicky. To readers of Strout’s previous books, it’s all unduly familiar, indeed stale, an impression reinforced when the author takes a searing emotional turning point from The Burgess Boys (2013) and a painful refusal of connection in Oh William! and recycles them as peripheral plot points. The novel’s early pages do nicely capture the sense of disbelief so many felt in the pandemic’s early days, but Lucy’s view from rural safety of the havoc wrought in New York feels superficial and possibly offensive. Strout’s characteristic acuity about complex human relationships returns in a final scene between Lucy and her daughters, but from a writer of such abundant gifts and past accomplishments, this has to be rated a disappointment.

Not the kind of deep, resonant fiction we expect from the Pulitzer Prize–winning author of Olive Kitteridge.

Product Details

BN ID: 2940175396752
Publisher: Penguin Random House
Publication date: 09/20/2022
Edition description: Unabridged
Sales rank: 818,397

Read an Excerpt

One

i


Like many others, I did not see it coming.

But William is a scientist, and he saw it coming; he saw it sooner than I did, is what I mean.

William is my first husband; we were married for twenty years and we have been divorced for about that long as well. We are friendly, I would see him intermittently; we both were living in New York City, where we came when we first married. But because my (second) husband had died and his (third) wife had left him, I had seen him more this past year.

About the time his third wife left him, William found out that he had a half-sister in Maine; he found it out on an ancestry website. He had always thought he was an only child, so this was a tremendous surprise for him, and he asked me to go up to Maine for two days with him to find her, and we did, but the woman—her name is Lois Bubar— Well, I met her but she did not want to meet William, and this made him feel very terrible. Also, on that trip to Maine we found out things about William’s mother that absolutely dismayed him. They dismayed me as well.

His mother had come from unbelievable poverty, it turned out, even worse than the circumstances I had come from.

The point is that two months after our little trip to Maine, William asked me to go to Grand Cayman with him, which is where we had gone with his mother, Catherine, many, many years before, and when our girls were small we would go there with them and with her too. The day he came over to my apartment to ask me to go with him to Grand Cayman, he had shaved off his huge mustache and also cut his full white hair very short—and only later did I realize this must have been a result of Lois Bubar’s not wanting to see him plus everything he had learned about his mother. He was seventy-one years old then, but he, kind of, I think, must have been plunged into some sort of midlife crisis, or older man crisis, with the loss of his much younger wife moving out and taking their ten-year-old daughter, and then his half-sister’s not wanting to see him and his finding out that his mother had not been who he’d thought she had been.

So I did that: I went to Grand Cayman with him for three days in early October.

And it was odd, but nice. We had separate rooms, and we were kind to each other. William seemed more reticent than usual, and it was strange for me to see him without his mustache. But there were times when he threw his head back and really laughed. There was a politeness to us that was consistent; so it was a little strange, but nice.

But when we got back to New York, I missed him. And I missed David, my second husband, who had died.

I really missed them both, David especially. My apartment was so quiet!



I am a novelist and I had a book coming out that fall, and so after our trip to Grand Cayman I had a great deal of traveling to do around the country and I did it; this was in late October. I was also scheduled to go to Italy and Germany in the beginning of March, but in early December—it was kind of odd—I just decided I was not going to go to those places. I never cancel book tours and the publishers were not happy, but I was not going to go. As March approached someone said, “Good thing you didn’t go to Italy, they’re having that virus.” And that’s when I noticed it. I think that was the first time. I did not really think about it ever coming to New York.

But William did.

ii

It turned out that the first week in March, William had called our daughters, Chrissy and Becka, and asked—begged—them to leave the city; they both lived in Brooklyn. “And don’t tell your mother yet, but please do this. I will deal with her.” And so they hadn’t told me. Which is interesting because I feel that I am close to our girls, I would have said closer to them than William is. But they listened to him. Chrissy’s husband, Michael, who is in finance, really listened, and he and Chrissy made arrangements to go to Connecticut to stay in the house of Michael’s parents—his parents were in Florida, so Chrissy and Michael could stay in their house—but Becka balked, saying that her husband did not want to leave the city. Both girls said they wanted me to know what was going on, and their father said to them, “I’ll take care of your mother, I promise, but get out of the city now.”

A week later William called me and told me this, and I was not frightened but I was confused. “They’re actually leaving?” I said, meaning Chrissy and Michael, and William said yes. “Everyone is going to be working from home soon,” he said, and again I did not really understand it. He added, “Michael has asthma, so he should be especially careful.”

I said, “He doesn’t have terrible asthma, though,” and William paused and then said, “Okay, Lucy.”

Then he told me that his old friend Jerry had the virus and was on a ventilator. Jerry’s wife also had the virus, but she was at home. “Oh Pill, I’m so sorry!” I said, yet I still did not get it, the importance of what was happening.

It’s odd how the mind does not take in anything until it can.

The next day William called and said that Jerry had died. “Lucy, let me get you out of this city. You’re not young, and you’re scrawny and you never exercise. You’re at risk. So let me pick you up and we’ll go.” He added, “Just for a few weeks.”

“But what about Jerry’s funeral?” I asked.

William said, “There will be no funeral, Lucy. We’re in a—a mess.”

“Where out of the city?” I asked.

“Out of the city,” he said.

I told him I had appointments, I was supposed to see my accountant, and I was supposed to get my hair done. William said I should call my accountant and get an earlier appointment and to cancel my hair and to be ready to leave with him in two days.

I could not believe that Jerry had died. I mean that sincerely, I could not believe it. I had not seen Jerry in many years, and maybe that was why I was having trouble. But that Jerry had died: I could not get it into my head. He was one of the first people to die of the virus in New York City; I did not know that at the time.

But I got an earlier appointment with my accountant, and also for my hair, and when I went to my accountant’s office I took the small elevator up: It always stops at every floor, he is on the fifteenth floor, and people squeeze in holding their paper coffee cups and then look down at their shoes until they get off, floor by floor. My accountant is a large, burly man, my age exactly, and we have always loved each other; it may sound a little strange, because we do not socialize, but he is one of my favorite people in a way, he has been so deeply kind to me over these many years. When I walked into his office he said “Safe distance,” waving to me, and so I understood then that we would not hug as we always do. He joked about the virus, but I could tell he was nervous about it. When we were through with our meeting he said, “Why don’t you go down the freight elevator, I can show you where it is. You’ll be alone on it.” I was surprised and I said, Oh no, there was no need for that. He waited a moment, and then he said, “Okay. Bye-bye, Lucy B,” blowing me kisses, and I went down in the regular elevator to the street. “See you at the end of the year,” I said to him; I remember saying that. And then I took the subway downtown to get my hair done.

I have never liked the woman who colors my hair—I had adored the first woman who colored it for years, but she moved to California—and the woman who took over, I just never liked her. And I did not like her that day. She was young and had a small child, and a new boyfriend, and I understood that day that she did not like her child, she was cold, and I thought: I am never coming back to you.

I do remember thinking that.

When I got home to my building I met a man in the elevator who said he had just gone to the gym on the second floor but the gym was closed. He seemed surprised about this. “Because of the virus,” he said.



William called me that night and said, “Lucy, I’m picking you up tomorrow morning and we’re leaving.”

It was a strange thing; I mean that I was not alarmed but I was still kind of surprised at his insistence. “But where are we going?” I asked.

And he said, “The coast of Maine.”

“Maine?” I said. “Are you kidding? We’re going back to Maine?”

“I’ll explain,” he said. “Just please get yourself ready.”

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