"Good Man Gone Bad is Gar Anthony Haywood’s best work yet, keeping a tight focus on Aaron Gunner and his exploration of his city and the meaning of justice. More than a mystery, this book is a mirror held up to society and the world."
—Michael Connelly, New York Times-bestselling author of the Harry Bosch novels
"Mr. Haywood—this is his seventh and best novel yet to feature Gunner—is a gifted writer with a flair for description.... The two dissimilar cases confronting Gunner test the detective's confidence to the fullest. He sees himself, at his most insecure, as "a black pretend-cop working from the back of the Watts barbershop." But an abundance of tenacity, courage and resourcefulness proves a lot more valuable to Gunner and his fortunate clients than a fancy office.”
— Tom Nolan for Wall Street Journal "Good Man Gone Bad is Haywood in peak form, a classic hard-boiled mystery full of sly humor and street wisdom—but also a surprisingly tender treatise on masculinity and the futility of violence. A page-turner as engaging as it is deep."
— Attica Locke, author of Bluebird, Bluebird, Heaven, My Home, and The Cutting Season
“Good Man Gone Bad is bracing, heart-wrenching fiction from Haywood, and the best in his Aaron Gunner series to date. Gunner is by now part of LA's contemporary noir canon—cynical, compassionate, and tireless in his pursuit of stubborn truths. Hip and raw. Don't miss it.”
— T. Jefferson Parker, New York Times–bestselling author of The Last Good Guy
Praise for the Aaron Gunner Novels
"The fresh dialogue, raffish atmosphere and boldly drawn characters leave little doubt as to why Haywood's mysteries are fast becoming hard-boiled classics."
— Entertainment Weekly (Page-Turner of the Week)
"Gunner yanks the sheet off the American nightmare of race, politics, and murder, L.A. style."
— Acclaimed film director Spike Lee
“Like the first six books in the Aaron Gunner series, this dark, brooding tale will remind readers of classic Southern California crime novelists Philip Marlowe and Ross Macdonald. Haywood’s tight, no-frills prose is outstanding, and he does a fine job of developing the characters who inhabit Gunner’s poor side of town.”
— Associated Press
"…solidly plotted seventh outing for the African-American L.A. PI… a pleasure to read… Hopefully, Gunner will be back soon.”
— Publishers Weekly
"A masterful mystery writer."
— Chicago Tribune
"Aaron Gunner is back! And Los Angeles needs him now, more than ever. Good Man Gone Bad peels away the lies we tell each other to avoid our painful inner truths—the most powerful kind of detective story."
— Naomi Hirahara, Edgar Award–winning author of the Mas Arai mysteries
2019-07-28
South Central shamus Aaron Gunner (All the Lucky Ones Are Dead, 2000, etc.) emerges from two decades of hibernation to solve a pair of unrelated murders.
One of Gunner's two investigations is routine, albeit hopeless. Retired engineer Harper Stowe Jr. has engaged attorney Kelly DeCharme, the occasional client who's been drifting into a romance with Gunner, to clear his son, Harper Stowe III, of killing Darlene Evans, who until a few hours before her fatal shooting had been his boss at Empire Auto Parts. Since the Afghan War vet can't provide an alibi, and since he suffers from PTSD and was overheard by his childhood friend and co-worker Eric Woods threatening Darlene Evans while she was firing him for cause, and since his fingerprints were found on the murder weapon, the LAPD sees no reason to look further. But Gunner doesn't like the neat way the evidence all seems stacked against Stowe or the fact that all the witnesses who might help him, from his sometime girlfriend Tyrecee Abbott to Empire manager Johnny Rivera, seem determined to stonewall Gunner instead. And Gunner, rarely a patient man, has even less tolerance for stonewalling than usual because that second case has cut to his heart. Shortly after phoning Gunner to tell him, "They're gone, cuz. My girls. They're both gone and it's my fault," Gunner's cousin, electrician Del Curry, is found shot along with his wife, Noelle, and their daughter, Zina, 22. Although Zina miraculously survives, the crime is immediately classified by Detective Jeff Luckman as a murder/attempted murder/suicide, and there doesn't seem to be any evidence to vindicate Del, whose situation would look worse than that of Harper Stowe III even if he weren't dead.
Memorable mainly for the portrait of the hero's troubled family within the larger universe of LA's African American community.
