Breaking detective-thriller form, Case Histories is told from multiple points of view, reducing the burden on Jackson to "solve" the crimes for us and letting each character bloom in the light of the author's sharp, observant prose. That's something that the genre's hard-boiled forefathers would never have done; for them, the ratiocinative novel was a one-man job, and sympathetic characters just gummed up the works. Kate Atkinson, though, seems to have intuited that the most compelling mystery of all isn't necessarily whodunit, but rather howtodealwithit.
— The Washington Post

… the lifelike characters in Case Histories are what make it such a compelling hybrid: part complex family drama, part mystery. It winds up having more depth and vividness than ordinary thrillers and more thrills than ordinary fiction, with a constant awareness of perils swirling beneath its surface.
— The New York Times

Certain characters are the stock in trade of detective novels: innocent female murder victims, embittered spinsters, wives with secrets, teenage runaways, sexy old actresses and men who feel driven to try, over and over, to protect or avenge the downtrodden. Kate Atkinson's latest novel contains all these characters, which might suggest it's just another variation on a host of well-worn themes -- but, amazingly enough, this cast, as familiar as it is, still has the power to ensnare us. In fact, Case Histories is so exuberant, so empathetic, that it makes most murder-mystery page-turners feel as lifeless as the corpses they're strewn with.
— The New York Times Sunday Book Review

In this ambitious fourth novel from Whitbread winner Atkinson (Behind the Scenes at the Museum), private detective Jackson Brodie-ex-cop, ex-husband and weekend dad-takes on three cases involving past crimes that occurred in and around London. The first case introduces two middle-aged sisters who, after the death of their vile, distant father, look again into the disappearance of their beloved sister Olivia, last seen at three years old, while they were camping under the stars during an oppressive heat wave. A retired lawyer who lives only on the fumes of possible justice next enlists Jackson's aid in solving the brutal killing of his grown daughter 10 years earlier. In the third dog-eared case file, the sibling of an infamous ax-bludgeoner seeks a reunion with her niece, who as a baby was a witness to murder. Jackson's reluctant persistence heats up these cold cases and by happenstance leads him to reassess his own painful history. The humility of the extraordinary, unabashed characters is skillfully revealed with humor and surprise. Atkinson contrasts the inevitable results of family dysfunction with random fate, gracefully weaving the three stories into a denouement that taps into collective wishful thinking and suggests that warmth and safety may be found in the aftermath of blood and abandonment. Atkinson's meaty, satisfying prose will attract many eager readers. Agent, Kim Witherspoon. (Nov. 9) Forecast: Blurbs from Rachel Cusk and Jim Crace and elegant, subdued jacket art should remind readers that Atkinson crosses genres, attracting readers of literary fiction as well as thrillers. Copyright 2004 Reed Business Information.

Edinburgh resident Atkinson has been touted for her clever subversion of the standard family saga (the Whitbread Prize-winning Behind the Scenes at the Museum), as well as her playful parody and magic realism (Not the End of the World). Now she turns her deft hand to the hard-boiled detective genre and wreaks a similarly wonderful havoc. Cambridge P.I. and Francophile Jackson Brodie serves as the link among three interwoven tales. Red herrings abound as Jackson plows through the sad cases of a missing toddler, a young woman brutally killed while temping at her father's law firm, and an overwrought mother driven to ax murder. The relatives of the victims, Jackson's motley clientele, prove to be alternatively pitiable and hilarious but always painfully human. Superfluous plot elements involving attempts on Brodie's life and the running commentary on Brodie's musical tastes may lead to comparisons with Ian Rankin's Inspector John Rebus series, but only briefly, for this is a very new world of old crimes. Recommended for larger fiction collections. [See Prepub Alert, LJ 7/04.] Jenn B. Stidham, Harris Cty. P.L., Houston Copyright 2004 Reed Business Information.

After two self-indulgent detours, Atkinson proves that her Whitbread Award-winning debut, Behind the Scenes at the Museum (1996), was no fluke with a novel about three interconnected mysteries. They seem totally unrelated at first to private detective Jackson Brodie, hired by separate individuals in Cambridge, England, to investigate long-dormant cases. Three-year-old Olivia Land disappeared from a tent in her family's backyard in 1970; 34 years later, her sisters Amelia and Julia discover Olivia's stuffed toy in their recently deceased father's study and want Jackson to find out what he had to do with the disappearance. Theo Wyre's beloved 18-year-old daughter Laura was murdered by a knife-wielding lunatic in 1994, and he too hires Jackson to crack this unsolved murder. Michelle was also 18 when she went to jail in 1979 for killing her husband with an ax while their infant daughter wailed in the playpen; she vanished after serving her time, but Shirley Morrison asks Jackson to find, not her sister Michelle, but the niece she promised to raise, then was forced to hand over to grandparents. The detective, whose bitter ex-wife uses Jackson's profound love for their eight-year-old daughter to torture him, finds all these stories of dead and/or missing girls extremely unsettling; we learn toward the end why the subject of young women in peril is particularly painful for him. Atkinson has always been a gripping storyteller, and her complicated narrative crackles with the earthy humor, vibrant characterizations, and shrewd social observations that enlivened her first novel but were largely swamped by postmodern game-playing in Human Croquet (1997) and Emotionally Weird (2000). Here, she craftsa compulsive page-turner that looks deep into the heart of sadness, cruelty, and loss, yet ultimately grants her charming p.i. (and most of the other appealingly offbeat characters, including one killer) a chance at happiness and some measure of reconciliation with the past. Wonderful fun and very moving: it's a pleasure to see this talented writer back on form. Agent: Peter Straus/Rogers, Coleridge & White

"Grabs hold of the reader and doesn't let go. . . . CASE HISTORIES winds up having more depth and vividness than ordinary thrillers and more thrills than ordinary fiction."—Janet Maslin, New York Times

"CASE HISTORIES is so exuberant, so empathetic, that it makes most murder-mystery page-turners feel as lifeless as the corpses they're strewn with."—Jacqueline Carey, New York Times Book Review

"One of the most enjoyable books in a long time."—Leslie McGill, Kansas City Star

"Not just the best novel I read this year, but the best mystery of the decade. . . . I defy any reader not to feel a combination of delight and amazement."—Stephen King, Entertainment Weekly

"CASE HISTORIES combines the suspense of a whodunit with the richly textured plot of a sprawling family saga. The result is top-notch literature - an unforgettable, unclassifiable read."—Elisabeth Egan, Chicago Sun-Times

"CASE HISTORIES combines the suspense of a whodunit with the richly textured plot of a sprawling family saga. The result is top-notch literature - an unforgettable, unclassifiable read."

"CASE HISTORIES is so exuberant, so empathetic, that it makes most murder-mystery page-turners feel as lifeless as the corpses they're strewn with."

"One of the most enjoyable books in a long time."

"Grabs hold of the reader and doesn't let go. . . . CASE HISTORIES winds up having more depth and vividness than ordinary thrillers and more thrills than ordinary fiction."

"Not just the best novel I read this year, but the best mystery of the decade. . . . I defy any reader not to feel a combination of delight and amazement."

CASE HISTORIES combines the suspense of a whodunit with the richly textured plot of a sprawling family saga. The result is top-notch literature - an unforgettable, unclassifiable read.
— Chicago Sun-Times

One of the most enjoyable books in a long time.
— Kansas City Star

Not just the best novel I read this year, but the best mystery of the decade. . . . I defy any reader not to feel a combination of delight and amazement.
— Entertainment Weekly

Olivia is the favorite child in the Land family; one morning when the family wakes, she is gone. Laura is Theo’s favorite child, but on the first day of her summer job, before leaving for university, she is murdered. Private detective Jackson Brodie is hired years later to solve the mysteries of these events. But this is no conventional murder mystery. It is the story of how people can change when such important events remain unexplained and how our lives can be intertwined in ways in which we are not aware. Susan Jameson is flawless in her creation of a myriad of characters--the snipped tones of the buttoned-up Amelia Land, the unsubtle lengthening of words by the flirtatious Julia, the permanent anguish of Theo, and the frustration of the young mother when her husband wakes the fussy baby. Each character has recognizable tones and moods. A wonderful story and performance. A.B. Winner of AudioFile Earphones Award © AudioFile 2005, Portland, Maine