Publishers Weekly - Publisher's Weekly
Irish novelist Banville offers a literary thriller in which his guilt-plagued narrator is drawn into both an art theft and a passionate affair with a mysterious woman. (June)
Library Journal
Art historian Morrow is hired by small-time crook Morden to authenticate and catalog a cache of eight paintings stored in a decrepit house. As Morden and his seedy assistant, Francie, lead Morrow through the house, a delicious sense of impending menace is evoked by simple things: the rising staircase; a door standing ajar; an intense, bright light; and a watching dog. Morrow's brief glimpse through a crumbling wall of a woman's leg in stockings and black high heels is the beginning of his increasingly destructive sexual obsession with the woman, identified only as A. Irish writer Banville has created such a fantastic feeling of suspense and foreboding in his slightly surreal world-with hints that Morrow may be the same ex-convict narrator of his earlier novels, The Book of Evidence (LJ 3/1/90) and Ghosts (LJ 9/15/93)-that the somewhat anticlimactic ending is a letdown. But Banville's sure way with language, style, and character development make this essential for literary collections. Highly recommended.-Patricia Ross, Westerville P.L., Ohio
From the Publisher
"A thriller ... by Ireland's master of the exquisite and uncanny, whose brilliant use of prose narration places him in a league with Joyce and Beckett." —San Francisco Chronicle
"A strange and dreamlike book ... Banville has a breathtaking style." —The Boston Globe