Anyone who has heard his groundbreaking work with
Television or his first two solo albums knows what a gifted and compelling guitarist and incisive songwriter
Tom Verlaine can be when he's on point. However, much of
Verlaine's solo music from 1984 onward has sounded as if the man was just marking time until a good idea occurred to him, and
Warm and Cool remains an especially keen example of his downward slide.
Warm and Cool is a collection of instrumental guitar pieces, and while
Verlaine's gifts as a player are still well in order, anyone expecting the sheets of glorious sound he conjured up on
Marquee Moon or
Dreamtime is sadly out of luck for the most part. The majority of the cuts on
Warm and Cool are spare to the point that they recede into the wallpaper, and more than a few sound as if
Verlaine simply noodled them into existence while the tape was rolling (which
Verlaine suggests may well be the case in the "interview" included with the album's 2005 reissue). While
"Saucer Crash" and
"Boulevard" conjure up a lean and evocative late-night mood and
"Lore" is a brief descent into noise,
"Sleepwalkin'" sadly lives up to its name, and
"Sor Juanna" and
"Spiritual" sound less like songs and more like filler.
Verlaine is far too talented a guitarist to make an entirely uninteresting album, and much of
Warm and Cool is lovely in a low-key, ambient manner. But he's also capable of a lot more than that, and though this is good 3 a.m. listening, it never really tries to be anything more, and that's its ultimate failing. ~ Mark Deming