Dennis vividly details in the first person how the Alice cooperative of five endearingly misfit pioneering adolescents put the Woodstock generation to rest.” —Huffington Post “A visit to the magical, blood-spattered world of the Alice Cooper Group, courtesy of Dunaway, the band's bassist, co-songwriter and "theatrical conceptionalist."... the book is more than just an homage to his old friend; it's a love letter to an era... An affectionate, sharp-eyed memoir.” —Kirkus Reviews “I still consider Dennis Dunaway to be one of my best friends. Dennis is one of the few true surrealists that I've ever met….This book carries on in Dennis' own private surrealistic world.” —Alice Cooper “If you think you've heard all the Alice Cooper stories, think again...Though Alice was the iconic face of the band, Dunaway was the brains behind many of their best-known songs...It's safe to say that, without Dunaway, the group's now-legendary look and sound would have been vastly different. There might not even have been an Alice Cooper.” —Village Voice “A wonderfully detailed memoir” —Connecticut Post “Dennis tells the story from the inside out with wit and wisdom and adds brilliantly to the Alice Cooper Group mythos. There may be many versions of this story, but Dennis' is one of the most colorful, insightful and entertaining!” —Bob Ezrin, record producer “Dennis Dunaway's book brought me right back to those days in Laurel Canyon. So many times, people ask me ‘what was it like in the 60's?' I give them a blank stare and say ‘if you can remember it, you weren't there' or ‘uh, I forget,' or ‘it was great'…Well now I'll just tell them to read Dennis' book.” —Robby Krieger, song-writer and guitarist for the Doors. “The fact that it historically chronicles one of the greatest hard rock bands of all time is just icing on the cake” —Classic Rock Revisited “For a fan of the Alice Cooper band, as I have been since my adolescence in the 1970s, Cooper bassist Dennis Dunaway's first-hand account of the group's humble beginnings, heady triumphs and arguably inevitable implosion is gripping stuff.” —Michael J. Fox, New York Times bestselling author of A Funny Thing Happened on the Way to the Future “Steve Martin once said ‘Those French have a different word for everything.'Dennis has a different view of everything, so he's the ideal chap to spend a night out withand you have him for a whole book!!” —Ian Hunter “A key player in the Alice Cooper sound, Dennis Dunaway propelled the band with his swirling-driving bass, and he now takes us backstage with an all-access pass to the Hall of Fame band that inspired us to make friends in the danger zone.” —Greg Harris, President & CEO, Rock and Roll Hall of Fame + Museum “From inside the inner circle of the Alice Cooper band, bass guitar wizard Dennis Dunaway gives his refreshingly unique perspective telling the bands amazing story. Dennis chronicles his journey in vivid detail from an early 1960's high school band called the "Earwigs" transforming into "Alice Cooper," then in the 1970's becoming the most notorious band on in the world. A must read for every Alice Cooper fan!” —Neal Smith, song-writer and drummer for Alice Cooper “Lived it, lost it, read it and loved it to death!” —Michael Bruce, founding member, Alice Cooper Group “A touching portrait. Poignant, funny, sad and most of all, true!” —Joe Greenberg Co-Manager of Alice Cooper “The original Alice Cooper Band were one of the all-time greats in what I consider the golden era of classic rock, and helped pave the way for all the arena rock bands that followed in their wake. As a kid I spent countless hours listening to their records and staring at the pictures on the sleeves, pondering the menacing gang dressed up in glitter drag, in the pre-internet days when your favorite bands were still a mystery. Dennis Dunaway had a front row seat to all the craziness, and lucky for us, came out the other side with his memories intact.” —Chris Shiflett, Foo Fighters “Dennis Dunaway stands out as one of the most progressive bassist of the time. His unique sonic vision and absolute brotherhood connection to Glen, Michael, Alice and Neal created a raw, unpretentious, by the seat of your pants sound that captivated and inspired. And what is equally amazing is Dennis's absolutely clear and detailed recollection and articulation of the journey they took.” —Richard McDonald, Vice President of the Fender Musical Corp. “The multi-faceted autobiography, penned with former Rolling Stone staffer Chris Hodenfield, appeals not only to hard core Alice Cooper fans like myself, but to readers with a general interest in the "rock biography" genre, as well as those who enjoy immersing themselves in the twists and turns of a whole-hearted adventure and an enduring love story set primarily in the heady music scene of the 1960s and '70s.” —The Newcastle Herald (Australia) “An informative, entertaining, and surprisingly cheerful work. The pacing is fast, the chronology is tight, and the balance of personal, professional, and cultural details is spot-on. ... Dunaway's update tone and flair for storytelling lift this work a step above the average musical memoir. Recommended for music historians, children of the 1970s, and, of course, Cooper fans.” —Library Journal
For a fan of the Alice Cooper band, as I have been since my adolescence in the 1970s, Cooper bassist Dennis Dunaway's first-hand account of the group's humble beginnings, heady triumphs and arguably inevitable implosion is gripping stuff.
New York Times bestselling author of A Funny Thing Michael J. Fox
07/01/2015 Playing bass for the Alice Cooper Group from the group's origins as a high school talent show joke band to stadium-packing success, Dunaway amassed more than a lifetime's worth of road memories. With help from Rolling Stone staff writer Hodenfield, those reflections become an informative, entertaining, and surprisingly cheerful work. The pacing is fast, the chronology is tight, and the balance of personal, professional, and cultural details is spot-on. A few clunky phrases and run-on sentences are easily forgiven; especially memorable passages involving the band's farmhouse headquarters and their 100 percent pure Motor City roadie, Leo, will have readers laughing out loud, while the drink- and drug-fueled decline of guitarist Glen Buxton is poignant without being schmaltzy. A refreshing sense of graciousness even extends to issues surrounding the band's 1975 breakup. VERDICT Dunaway's upbeat tone and flair for storytelling lift this work a step above the average musical memoir. Recommended for music historians, children of the 1970s, and, of course, Cooper fans.—Neil Derksen, Pierce Cty. Lib. Syst., Tacoma
2015-05-24 A visit to the magical, blood-spattered world of the Alice Cooper Group, courtesy of Dunaway, the band's bassist, co-songwriter and "theatrical conceptionalist." Hard-rock fans of a certain generation think of Alice Cooper as the original shock rocker, a platinum-selling performance artist who took to the stage looking as if he stepped out of A Clockwork Orange, ranting and raving about billion-dollar babies and how school was out forever. Today, in comparison to the Marilyn Mansons of the world, Cooper's schtick seems almost quaint, but during his heydey, he was a frightening, formidable force in the rock world. A close friend from childhood on, Dunaway was with Cooper every step of the way, and he documents that story in this agreeable memoir. But does Cooper's place in the rock world merit a memoir from his bassist, and is the bassist a good enough memoirist to overcome his own lack of notoriety? The answer to both questions is a qualified yes. Dunaway makes a solid case for Cooper's place in the rock pantheon, continually pointing out not just the fact that he was an above-average singer, songwriter, and frontman, but also the role he played in incorporating theater into rock performance. To Dunaway's credit, the book is more than just an homage to his old friend; it's a love letter to an era. But it's not all roses. Readers looking for the kind of lasciviousness they expect from an Alice Cooper confidant won't be disappointed, as the author does plenty of sordid, albeit not-too-slimy dishing about the band's backstage shenanigans. Dunaway has a terrific memory, which is both a positive and negative: though the book can get bogged down in minutiae, the author leaves no stone unturned. An affectionate, sharp-eyed memoir that, while it doesn't add anything groundbreaking to the rock-lit canon, will appeal to Alice Cooper die-hards and fans of his brand of music.