Shogun: Der große historische Roman über die Einigung Japans - jetzt neu verfilmt als Blockbuster-Serie bei Disney+

Shogun: Der große historische Roman über die Einigung Japans - jetzt neu verfilmt als Blockbuster-Serie bei Disney+

Shogun: Der große historische Roman über die Einigung Japans - jetzt neu verfilmt als Blockbuster-Serie bei Disney+

Shogun: Der große historische Roman über die Einigung Japans - jetzt neu verfilmt als Blockbuster-Serie bei Disney+

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Overview

Der große historische Roman über die Einigung Japans und den Aufstieg des Shōgunats — jetzt neu verfilmt als Blockbuster-Serie bei Disney+

Im Jahr 1600 strandet der englische Navigator John Blackthorne an der Küste eines Landes, das erst wenige Europäer erreicht haben: Japan.

Blackthorne bleibt nur wenig Zeit, um sich in der fremden Sprache und Kultur zurechtzufinden. Und er muss seine Vorstellungen von Loyalität, Mut und Moral hinterfragen.

Schon bald gerät er mitten hinein in den Machtkampf der japanischen Fürsten, der das Land zu zerreißen droht. Blackthorne tritt in den Dienst des faszinierenden Strategen Toranaga. Doch als er sich in die Übersetzerin Mariko verliebt — die Frau eines Samurais in Toranagas Diensten — wird seine Loyalität auf eine harte Probe gestellt.

In einem Land, das sich unaufhaltsam wandelt, hängt nicht nur Blackthornes Überleben davon ab, dass er die richtigen Entscheidungen trifft. Denn nur einer der rivalisierenden Fürsten kann siegreich sein und Shōgun werden.

Einer der besten historischen Romane der Welt

James Clavells Weltbestseller Shōgun gehört zu den meistverkauften Romanen aller Zeiten und wurde mehrfach hoch erfolgreich verfilmt. Die neueste Serienadaption läuft im Frühjahr 2024 beim Streamingdienst Disney+.


Product Details

ISBN-13: 9783426293522
Publisher: Knaur eBook
Publication date: 03/01/2024
Sold by: Bookwire
Format: eBook
Pages: 1280
Sales rank: 568,070
File size: 3 MB
Language: German

About the Author

James Clavell wurde 1921 in Sydney geboren und wuchs in verschiedenen Ländern des Commonwealth auf. Mit 16 trat Clavell in die britische Armee ein und wurde in den Krieg geschickt, wodurch er schließlich in japanische Gefangenschaft geriet. Nach Kriegsende arbeitete er als Filmproduzent und begann gleichzeitig, historische Romane über die Geschichte Asiens zu schreiben, die allesamt zu Bestsellern wurden. Sein 1975 erschienener Roman Shōgun gehört zu den meistverkauften Büchern aller Zeiten.

James Clavell starb 1994 in der Schweiz.


James Clavell wurde 1921 in Sydney geboren und wuchs in verschiedenen Ländern des Commonwealth auf. Mit 16 trat Clavell in die britische Armee ein und wurde in den Krieg geschickt, wodurch er schließlich in japanische Gefangenschaft geriet. Nach Kriegsende arbeitete er als Filmproduzent und begann gleichzeitig, historische Romane über die Geschichte Asiens zu schreiben, die allesamt zu Bestsellern wurden. Sein 1975 erschienener Roman Shōgun gehört zu den meistverkauften Büchern aller Zeiten. James Clavell starb 1994 in der Schweiz.

Read an Excerpt

Chapter One


Blackthorne was suddenly awake. For a moment he thought he was dreaming because he was ashore and the room unbelievable. It was small and very clean and covered with soft mats. He was lying on a thick quilt and another was thrown over him. The ceiling was polished cedar and the walls were lathes of cedar, in squares, covered with an opaque paper that muted the light pleasantly. Beside him was a scarlet tray bearing small bowls. One contained cold cooked vegetables and he wolfed them, hardly noticing the piquant taste. Another contained a fish soup and he drained that. Another was filled with a thick porridge of wheat or barley and he finished it quickly, eating with his fingers. The water in an odd-shaped gourd was warm and tasted curious—slightly bitter but savory.

Then he noticed the crucifix in its niche.

This house is Spanish or Portuguese, he thought aghast. Is this the Japans? or Cathay?

A panel of the wall slid open. A middle-aged, heavy-set, round-faced woman was on her knees beside the door and she bowed and smiled. Her skin was golden and her eyes black and narrow and her long black hair was piled neatly on her head. She wore a gray silk robe and short white socks with a thick sole and a wide purple band around her waist.

"Goshujinsama, gokibun wa ikaga desu ka?" she said. She waited as he stared at her blankly, then said it again.

"Is this the Japans?" he asked. "Japans? Or Cathay?"

She stared at him uncomprehendingly and said something else he could not understand. Then he realized that he was naked. His clothes were nowhere in sight. With sign language he showed her that he wanted to get dressed. Then he pointed at the food bowls and she knew that he was still hungry.

She smiled and bowed and slid the door shut.

He lay back exhausted, the untoward, nauseating nonmotion of the floor making his head spin. With an effort he tried to collect himself. I remember getting the anchor out, he thought. With Vinck. I think it was Vinck. We were in a bay and the ship had nosed a shoal and stopped. We could hear waves breaking on the beach but everything was safe. There were lights ashore and then I was in my cabin and blackness. I don't remember anything. Then there were lights through the blackness and strange voices. I was talking English, then Portuguese. One of the natives talked a little Portuguese. Or was he Portuguese? No, I think he was a native. Did I ask him where we were? I don't remember. Then we were back in the reef again and the big wave came once more and I was carried out to sea and drowning—it was freezing—no, the sea was warm and like a silk bed a fathom thick. They must have carried me ashore and put me here.

"It must have been this bed that felt so soft and warm," he said aloud. "I've never slept on silk before." His weakness overcame him and he slept dreamlessly.

When he awoke there was more food in earthenware bowls and his clothes were beside him in a neat pile. They had been washed and pressed and mended with tiny, exquisite stitching.

But his knife was gone, and so were his keys.

I'd better get a knife and quickly, he thought. Or a pistol.

His eyes went to the crucifix. In spite of his dread, his excitement quickened. All his life he had heard legends told among pilots and sailormen about the incredible riches of Portugal's secret empire in the East, how they had by now converted the heathens to Catholicism and so held them in bondage, where gold was as cheap as pig iron, and emeralds, rubies, diamonds, and sapphires as plentiful as pebbles on a beach.

If the Catholic part's true, he told himself, perhaps the rest is too. About the riches. Yes. But the sooner I'm armed and back aboard Erasmus and behind her cannon, the better.

He consumed the food, dressed, and stood shakily, feeling out of his element as he always did ashore. His boots were missing. He went to the door, reeling slightly, and put out a hand to steady himself but the light, square lathes could not bear his weight and they shattered, the paper ripping apart. He righted himself. The shocked woman in the corridor was staring up at him.

"I'm sorry," he said, strangely ill at ease with his clumsiness. The purity of the room was somehow defiled.

"Where are my boots?"

The woman stared at him blankly. So, patiently, he asked her again with sign language and she hurried down a passage, knelt and opened another lathe door, and beckoned him. Voices were nearby, and the sound of running water. He went through the doorway and found himself in another room, also almost bare. This opened onto a veranda with steps leading to a small garden surrounded by a high wall. Beside this main entrance were two old women, three children dressed in scarlet robes, and an old man, obviously a gardener, with a rake in his hand. At once they all bowed gravely and kept their heads low.

To his astonishment Blackthorne saw that the old man was naked but for a brief, narrow loincloth, hardly covering his organs.

"Morning," he said to them, not knowing what to say.

They stayed motionless, still bowing.

Nonplussed, he stared at them, then, awkwardly he bowed back to them. They all straightened and smiled at him. The old man bowed once more and went back to work in the garden. The children stared at him, then, laughing, dashed away. The old women disappeared into the depths of the house. But he could feel their eyes on him.

He saw his boots at the bottom of the steps. Before he could pick them up, the middle-aged woman was there on her knees, to his embarrassment, and she helped him to put them on.

"Thank you," he said. He thought a moment and then pointed at himself. "Blackthorne," he said deliberately. "Blackthorne." Then he pointed at her. "What's your name?"

She stared at him uncomprehendingly.

"Black-thorne," he repeated carefully, pointing at himself, and again pointed at her. "What's your name?"

She frowned, then with a flood of understanding pointed at herself and said, "Onna! Onna!"

"Onna!" he repeated, very proud of himself as she was with herself. "Onna."

She nodded happily. "Onna!"

The garden was unlike anything he had ever seen: a little waterfall and stream and small bridge and manicured pebbled paths and rocks and flowers and shrubs. It's so clean, he thought. So neat.

"Incredible," he said.

"'Nkerriberr?" she repeated helpfully.

"Nothing," he said. Then not knowing what else to do, he waved her away. Obediently she bowed politely and left.

Blackthorne sat in the warm sun, leaning against a post. Feeling very frail, he watched the old man weeding an already weedless garden. I wonder where the others are. Is the Captain-General still alive? How many days have I been asleep? I can remember waking and eating and sleeping again, the eating unsatisfactory like the dreams.

The children flurried past, chasing one another, and he was embarrassed for them at the gardener's nakedness, for when the man bent over or stooped you could see everything and he was astounded that the children appeared not to notice. He saw tiled and thatched roofs of other buildings over the wall and, far off, high mountains. A crisp wind broomed the sky and kept the cumulus advancing. Bees were foraging and it was a lovely spring day. His body begged for more sleep but he pushed himself erect and went to the garden door. The gardener smiled and bowed and ran to open the door and bowed and closed it after him.

The village was set around the crescent harbor that faced east, perhaps two hundred houses unlike any he'd ever seen nestling at the beginning of the mountain which spilled down to the shore. Above were terraced fields and dirt roads that led north and south. Below, the waterfront was cobbled and a stone launching ramp went from the shore into the sea. A good safe harbor and a stone jetty, and men and women cleaning fish and making nets, a uniquely designed boat being built at the northern side. There were islands far out to sea, to the east and to the south. The reefs would be there or beyond the horizon.

In the harbor were many other quaintly shaped boats, mostly fishing craft, some with one large sail, several being sculled—the oarsmen standing and pushing against the sea, not sitting and pulling as he would have done. A few of the boats were heading out to sea, others were nosing at the wooden dock, and Erasmus was anchored neatly, fifty yards from shore, in good water, with three bow cables. Who did that? he asked himself. There were boats alongside her and he could see native men aboard. But none of his. Where could they be?

He looked around the village and became conscious of the many people watching him. When they saw that he had noticed them they all bowed and, still uncomfortable, he bowed back. Once more there was happy activity and they passed to and fro, stopping, bargaining, bowing to each other, seemingly oblivious of him, like so many multicolored butterflies. But he felt eyes studying him from every window and doorway as he walked toward the shore.

What is it about them that's so weird? he asked himself. It's not just their clothes and behavior. It's—they've no weapons, he thought, astounded. No swords or guns! Why is that?

Open shops filled with odd goods and bales lined the small street. The floors of the shops were raised and the sellers and the buyers knelt or squatted on the clean wooden floors. He saw that most had clogs or rush sandals, some with the same white socks with the thick sole that were split between the big toe and the next to hold the thongs, but they left the clogs and sandals outside in the dirt. Those who were barefoot cleansed their feet and slipped on clean, indoor sandals that were waiting for them. That's very sensible if you think about it, he told himself, awed.

Then he saw the tonsured man approaching and fear swept sickeningly from his testicles into his stomach. The priest was obviously Portuguese or Spanish, and, though his flowing robe was orange, there was no mistaking the rosary and crucifix at his belt, or the cold hostility on his face. His robe was travel stained and his European-style boots besmirched with mud. He was looking out into the harbor at Erasmus, and Blackthorne knew that he must recognize her as Dutch or English, new to most seas, leaner, faster, a merchant fighting ship, patterned and improved on the English privateers that had wreaked so much havoc on the Spanish Main. With the priest were ten natives, black-haired and black-eyed, one dressed like him except that he had thong slippers. The others wore varicolored robes or loose trousers, or simply loincloths. But none was armed.

Blackthorne wanted to run while there was time but he knew he did not have the strength and there was nowhere to hide. His height and size and the color of his eyes made him alien in this world. He put his back against the wall.

"Who are you?" the priest said in Portuguese. He was a thick, dark, well-fed man in his middle twenties, with a long beard.

"Who are you?" Blackthorne stared back at him.

"That's a Netherlander privateer. You're a heretic Dutchman. You're pirates. God have mercy on you!"

"We're not pirates. We're peaceful merchants, except to our enemies. I'm pilot of that ship. Who are you?"

"Father Sebastio. How did you get here? How?"

"We were blown ashore. What is this place? Is it the Japans?"

"Yes. Japan. Nippon," the priest said impatiently. He turned to one of the men, older than the rest, small and lean with strong arms and calloused hands, his pate shaved and his hair drawn into a thin queue as gray as his eyebrows. The priest spoke haltingly to him in Japanese, pointing at Blackthorne. All of them were shocked and one made the sign of the cross protectively.

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"Superbly crafted...grips the reader like a riptide...gets the juices flowing!"—Washington Star

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"Adventure and action, the suspense of danger, shocking, touching human relationships...a climactic human story." —Los Angeles Times

"Breathtaking....worth every word, every ounce, every penny."—Associated Press

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