This collection of stories set in contemporary America—a finalist for the National Book Award—herald a work of singular literary merit by an important writer at the height of her power.
We think about it every day, sometimes every hour: Money. Who has it. Who doesn't. How you get it. How you don't.
In Refund, Bender creates an award-winning collection of stories that deeply explore the ways in which money and the estimation of value affect the lives of her characters. The stories in Refund reflect our contemporary world—swindlers, reality show creators, desperate artists, siblings, parents—who try to answer the question: What is the real definition of worth?
In "Theft," an eighty-year-old swindler, accustomed to tricking people for their money, boards a cruise ship to see if she can find something of true value—a human connection. In "Anything for Money," the creator of a reality show is thrown into the real world when his estranged granddaughter reenters his life in need of a new heart; and in the title story, young artist parents in downtown Manhattan escape the attack on 9/11 only to face a battle over their subletted apartment with a stranger who might have lost more than only her deposit.
Karen E. Bender is the author of the novels Like Normal People and A Town of Empty Rooms. Her fiction has appeared in The New Yorker, Granta, Zoetrope, Ploughshares, Story, Harvard Review, The Iowa Review, and other magazines. Her stories have been anthologized in Best American Short Stories, Best American Mystery Stories, New Stories from the South: The Year's Best, and have won two Pushcart prizes. She has won grants from the Rona Jaffe Foundation and the NEA. She is also co–editor of the anthology Choice: True Stories of Birth, Contraception, Infertility, Adoption, Single Parenthood, and Abortion. She has taught creative writing at Antioch University Los Angeles, the University of North Carolina at Wilmington, and Tunghai University in Taiwan. She lives in North Carolina with her husband, novelist Robert Anthony Siegel, and their two children.
Read an Excerpt
Each Monday at eleven o’clock, Lenny Weiss performed his favorite duty as executive producer of his hit game show, Anything for Money: he selected the contestants for that week’s show. He walked briskly across the stage set, the studio lights so white and glaring as to make the stage resemble the surface of the moon. In his silk navy suit, the man appeared to be a lone figure on the set, for his staff knew not to speak to him or even look at him. He had become the king of syndicated game shows for his skill in finding the people who would do anything for money, people that viewers would both envy and despise. The assistants were in the holding room with the prospective contestants, telling them the rules: No one was allowed to touch Mr. Weiss. Mr. Weiss required a five-foot perimeter around his person. No one was allowed to call him by his first name. No one was to be drinking Pepsi, as the taste offended Mr. Weiss. Gold jewelry reminded him of his former wife, so anyone wearing such jewelry was advised to take it off. He stood by the door for a moment before he walked in, imagining how the losers would walk, dazed, to their cars, looking up at the arid sky. They would try to figure out what they had done wrong. They would look at their hands and wonder. Then he walked in and they screamed.
