Gerald the Giraffe is a charming happy gent who has one aspiration -- to dance. The extra-tall giraffe is a bit wobbly in the knees, and his every attempt to boogie results with Gerald on the ground. It's time for the annual Jungle Dance, where all the creatures of the kingdom shake their respective tails. The lions dance the tango, and the chimps cha-cha-cha. As Gerald nears the dance circle, the animals snicker, "Hey, look at clumsy Gerald. Giraffes can't dance, you silly fool!" Sad and embarrassed, he retreats to his home. On the way, he bumps into a compassionate cricket who suggests that "Sometimes when you're different you just need a different song." So Gerald takes a new approach to dancing, as he listens to the wind in the trees and the swaying grass. And soon, with all the grace of a swan and the fancy moves of a pro, he dances for his jungle friends, who watch in astonishment.

This amazing tale offers keen advice and adorable illustrations under the guise of a simple picture book. Illustrator Guy Parker-Rees perfectly portrays Gerald's frustration and humiliation over his supposed inability to dance. And the scenes in which the other denizens of the forest cut a rug will have kids rolling in the aisle -- it's not every day that you see two warthogs waltzing! Author Giles Andrews mixes rhyming text and simple language to create a strong message about individuality and the power of dancing to the tune of a different drummer, a lesson that makes this glorious picture book perfect for children and adults.

All the jungle's got the beat, but Gerald the giraffe has four left feet. Such is the dilemma in this British team's bouncy if didactic picture book about self-esteem. As a multitude of fleet-footed beasts eagerly "skip and prance" at the annual Jungle Dance in Africa, Gerald feels sad "because when it comes to dancing/ he was really very bad." Jeered by waltzing warthogs and cha-cha-ing chimps when he attempts to cut a rug, Gerald hangs his head and leaves the celebration behind. Luckily, a friendly cricket appears in the moonlight, chirping a morale-boosting song of self-confidence that soon sets Gerald in graceful motion. Andreae's rhyming text has a jaunty rhythm that's likely to spark interest in the read-aloud crowd, in spite of a heavy-handed message. Parker-Rees's kicky depictions of slightly anthropomorphic animals boogying on the dance floor are the highlight here. His watercolor and pen-and-ink artwork exudes a fun, party vibe. Ages 3-6. (Sept.) Copyright 2001 Cahners Business Information.

PreS-K-A clumsy giraffe is instantly transformed into an exceptional dancer when he finds music that he loves. Gerald has tall, thin legs, which are good for standing still, but when he tries to run, his crooked knees buckle. At the annual Jungle Dance, he is laughed off the floor. A cricket tells him that "-sometimes when you're different you just need a different song." This advice enables the lonely creature to dance, much to the amazement of the other animals. The rhythmic text follows a pattern of four lines per stanza. Some rhyme and others do not. Some flow smoothly; others are forced. One line states that, "He threw his arms out sideways-." Huh! Giraffes don't have arms. Full-page color illustrations done in pen and ink and watercolor are bold and warm. Characters are whimsical and expressive, but they don't make up for the drastic and unbelievable turnaround that takes place upon hearing the cricket play his violin. For stories about individuality, stick with Helen Lester's Tacky the Penguin (1988) and Three Cheers for Tacky (1994, both Houghton) or Robert Kraus's Leo the Late Bloomer (HarperCollins, 1971) and Owliver (Prentice-Hall, 1974; o.p.).-Kathleen Simonetta, Indian Trails Public Library District, Wheeling, IL Copyright 2001 Cahners Business Information.

Andreae's ode to a different drummer stumbles when it preaches about uncovering your own beat, but is ferried along by enough sweet verse and Parker-Rees's dazzling colors that it almost pulls its own weight. Gerald the giraffe's legs are too spindly for dancing; they are always buckling at the knees when it comes to the old soft-shoe. And while all the other creatures show some mean moves at the Jungle Dance ("The chimps all did a cha-cha / with a very Latin feel, / and eight baboons then teamed up / for a special Scottish reel"), poor Gerald is hooted off the dance floor before he even has a chance to crumple. As he shuffles homeward, and as he stops to admire the moon, a cricket suggests that "you just need a different song." So, to the sound of the wind in the trees, Gerald starts to move: a gentle swaying, some circling, and some swishing. Suddenly he commences to belt out Olympic-quality gymnastic moves-"Then he did a backward somersault / and leapt up in the air"-that blows the other animals away. But probably not readers, even the youngest of whom will want to know just why Gerald's legs didn't buckle this time, special music or not. Bad enough that in a story about rhythm, the verse doesn't always scan-but must Gerald strike the Travolta pose? Gerald doesn't find himself; he simply learns how to mimic. (Picture book. 3-5)

Andreae's ode to a different drummer stumbles when it preaches about uncovering your own beat, but is ferned along by enough sweet verse and Parker-Rees' dazzling colors that it almost pulls its own weight. Gerald the giraffe's legs are too spindly for dancing, they are always buckling at the knees when it comes to the old soft-shoe. And while all the other creatures show some mean moves at the Jungle Dance ("The chimps all did a cha-cha/with a very Latin feel,/and eight baboons then teamed up/for a special Scottish reel"), poor Gerald is hooted off the dance floor before he even has a chance to crumple. As he shuffles homeward, and as he stopes to admire the moon, a cricket suggest that "just need a different song." So, to the sound of the wind in the trees, Gerald starts to move: a gentle swaying, some circling, ans some swishing. Suddenly he commences to belt out Olympic-quality gymnastic moves—"Then he did a backward somersault/and leapt up in the air"—-that blows the other animals away. But probably not readers, even the youngest of whom will want to know just why Gerald's legs didn't buckle this time, special music or not. Bad enough that in a story about rhythm, the verse doesn't always scan—but mus Gerald srike the Travolta pose? Gerald doesn't find himself, he simply learns how to mimic.—-Kirkus Reviews, July 1st 2001All the jungle's got the beat, but Gerald the giraffe has four left feet. Such is the dilemma in this British team's bouncy if didactic picture book about self-esteem. As a multitude of fleet-footed beasts eagerly "skip and prance" at the annual Jungle Dance in Africa, Gerald feels sad "because when it comes to dancing/ he was really very bad." Jeered by waltzing warthogs and cha-cha-ing chimps when he attempts to cut a rug, Gerald hangs his head and leaves the celebration behind. Luckily, a friendly cricket appears in the moonlight, chirping a morale-boosting song of self-confidence that soon sets Gerald in graceful motion. Andreae's rhyming text has a jaunty rhythm that's likely to spark interest in the read-aloud crowd, in spite of a heavy-handed message. Parker-Rees's kicky depictions of slighly anthropomorphic animals boogying on the dance floor are the highlight here. His watercolor and pen-and-ink artwork exudes a fun, party vibe. —Publishers Weekly, September 10th, 2001A clumsy giraffe is instantly transformed into an exceptional dancer when he finds music that he loves. Gerald has tall, thin legs, which are good for standing still, but when lie tries to run, his crooked knees buckle. At the annual Jungle Dance, lie is laughed off the floor. A cricket tells him that "...sometimes when you're different you just need a different song." This advice enables the lonely creature to dance, much to the amazement of the other animals. The rhythmic text follows a pattern of four lilies per stanza. Some rhyme and others do not. Some flow smoothly; others are forced. One line states that, "He threw his arms out sideways. - - ." Huh! Giraffes don't have arms. Full-page color illustrations done in pen and ink and watercolor are bold and warm. Characters are whimsical and expressive, but they don't make up for the drastic and unbelievable turnaround that takes place upon hearing the cricket play his violin. For stories about individuality, stick with Helen Lester's Tacky the Penguin (1988) and Three Cheers for Tacky (1994, both Houghton) or Robert Kraus's Leo the Late Bloomer (HarperCollins 1971) and Owliver (Prentice-Hall, 1974; o.p.).—-School Library Journal, October 2001

What is Gerald the giraffe good at? In his eyes, all the other African animals possess special talents, especially on the dance floor. Gerald is most dejected as the annual dance exhibition begins. Luckily, a cricket’s voice catches Gerald's ear. Billy Dee Williams narrates enthusiastically while letting the rhyme and rhythm take center stage. The musical accompaniment is lively, even before the dance starts. As animals exhibit their specialties, the orchestra keeps pace—from a waltz for the warthogs to the cha-cha for the chimps and even a Scottish reel for the apes. A.R. © AudioFile 2007, Portland, Maine