The Murder of Roger Ackroyd (Hercule Poirot Series)

The Murder of Roger Ackroyd (Hercule Poirot Series)

by Agatha Christie

Narrated by Charles Armstrong

Unabridged — 6 hours, 35 minutes

The Murder of Roger Ackroyd (Hercule Poirot Series)

The Murder of Roger Ackroyd (Hercule Poirot Series)

by Agatha Christie

Narrated by Charles Armstrong

Unabridged — 6 hours, 35 minutes

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Overview

Hercule Poirot thought that retiring to a small village to do some gardening would bring his detective career to a halt. But when Roger Ackroyd's body is found in his study with a knife stabbed into him, Poirot takes on the case. Ackroyd, whose wealthy fiancee had just recently committed suicide, is hosting a dinner party for a swathe of guests one night when a friend comes to him in confidence and reveals that someone had been blackmailing his late fiancee. That is the last time anyone saw Mr. Ackroyd alive. Join one of Agatha Christie's most notable characters in this entertaining and surprising murder mystery.

Editorial Reviews

Gale Research

"The Murder of Roger Ackroyd," wrote a New York Times reviewer, "cannot be too highly praised for its clean-cut construction, its unusually plausible explanation at the end, and its ability to stimulate the analytical faculties of the reader." "The secret [of this novel] is more than usually original and ingenious," a Nation reviewer thought, "and is a device which no other writer could have employed without mishap." William Rose Benet of Saturday Review recommended that The Murder of Roger Ackroyd "should go on the shelf with the books of first rank in its field. The detective story pure and simple has as definite limitations of form as the sonnet in poetry. Within these limitations, with admirable structured art, Miss Christie has genuinely achieved."

Library Journal

These are the initial eight volumes in what will grow to 24 over two years in Black Dog's new "Agatha Christie Collection." The books are all decent-quality hardcovers for a bargain price. If you're regularly replacing your Christies, gives these more durable editions a try. Copyright 2006 Reed Business Information.

From the Publisher

Agatha Christie had a mind like a mousetrap and taught me, in novels like The Murder of Roger Ackroyd, the pleasure of literary surprise.” — William Dietrich, New York Times bestselling author of the Ethan Gage Historical Adventures William Dietrich, New York Times bestselling author of the Ethan Gage Historical Adventures William Dietrich, New York Times bestselling author of the Ethan Gage Adventures

“A classic—the book has worthily earned its fame.” — Irish Independent (Ireland)

“One of the landmarks of detective literature.” — H. R. F. Keating, Crime & Mystery: The 100 Best Books

Irish Independent (Ireland)

A classic—the book has worthily earned its fame.

H. R. F. Keating

One of the landmarks of detective literature.

William Dietrich

Agatha Christie had a mind like a mousetrap and taught me, in novels like The Murder of Roger Ackroyd, the pleasure of literary surprise.

H.R.F. Keating

"One of the landmarks of detective literature."

DEC/JAN 02 - AudioFile

Christie's classic detective story of the murder of the man who knew too much is read in a classic British style by the late Robin Bailey. Bailey portrays the storyteller, Dr. James Sheppard, stoically and his co-investigator and new neighbor, Hercule Poirot, diplomatically. Listeners will quickly be embroiled in Ralph Paton's story, Mrs. Ferrars's suicide, the Tunisian dagger, and Ursula's tale. Bailey adds to the intrigue by using various accents, variable pacing, and a distinctive lightness of tone and pitch to distinguish the numerous male and female characters. Christie's complex plot maintains suspense, and Bailey's performance will totally immerse listeners in the British country-house experience. S.C.A. © AudioFile 2001, Portland, Maine

Product Details

BN ID: 2940172785559
Publisher: Dreamscape Media
Publication date: 01/01/2022
Series: Hercule Poirot Series
Edition description: Unabridged
Sales rank: 787,601

Read an Excerpt

Chapter One

Dr. Sheppard at the Breakfast Table

Mrs. Ferrars died on the night of the 16th-17th September--a Thursday. I was sent for at eight o'clock on the morning of Friday the 17th. There was nothing to be done. She had been dead some hours.

It was just a few minutes after nine when I reached home once more. I opened the front door with my latch-key and purposely delayed a few moments in the hall, hanging up my hat and the light overcoat that I had deemed a wise precaution against the chill of an early autumn morning. To tell the truth, I was considerably upset and worried. I am not going to pretend that at that moment I foresaw the events of the next few weeks. I emphatically did not do so. But my instinct told me that there were stirring times ahead.

From the dining-room on my left there came the rattle of tea-cups and the short, dry cough of my sister Caroline.

"Is that you, James?" she called.

An unnecessary question, since who else could it be? To tell the truth, it was precisely my sister Caroline who was the cause of my few minutes' delay. The motto of the mongoose family, so Mr. Kipling tells us, is: "Go and find out." If Caroline ever adopts a crest, I should certainly suggest a mongoose rampant. One might omit the first part of the motto. Caroline can do any amount of finding out by sitting placidly at home. I don't know how she manages it, but there it is. I suspect that the servants and the tradesmen constitute her Intelligence Corps. When she goes out, it is not to gather information, but to spread it. At that, too, she is amazingly expert.

It was really this last named trait of hers which was causing methese pangs of indecision. Whatever I told Caroline now concerning the demise of Mrs. Ferrars would be common knowledge all over the village within the space of an hour and a half. As a professional man, I naturally aim at discretion. Therefore I have got into the habit of continually withholding all information possible from my sister. She usually finds out just the same, but I have the moral satisfaction of knowing that I am in no way to blame.

Mrs. Ferrars' husband died just over a year ago, and Caroline has constantly asserted, without the least foundation for the assertion, that his wife poisoned him.

She scorns my invariable rejoinder that Mr. Ferrars died of acute gastritis, helped on by habitual over-indulgence in alcoholic beverages. The symptoms of gastritis and arsenical poisoning are not, I agree, unlike, but Caroline bases her accusation on quite different lines.

"You've only got to look at her," I have heard her say.

Mrs. Ferrars, though not in her first youth, was a very attractive woman, and her clothes, though simple, always seemed to fit her very well, but all the same, lots of women buy their clothes in Paris and have not, on that account, necessarily poisoned their husbands.

As I stood hesitating in the hall, with all this passing through my mind, Caroline's voice came again, with a sharper note in it.

"What on earth are you doing out there, James? Why don't you come and get your breakfast?"

"Just coming, my dear," I said hastily. "I've been hanging up my overcoat."

"You could have hung up half a dozen overcoats in this time."

She was quite right. I could have.

I walked into the dining-room, gave Caroline the accustomed peck on the cheek, and sat down to eggs and bacon. The bacon was rather cold.

"You've had an early call," remarked Caroline.

"Yes," I said. "King's Paddock. Mrs. Ferrars."

"I know," said my sister.

"How did you know?"

"Annie told me."

Annie is the house parlormaid. A nice girl, but an inveterate talker.

There was a pause. I continued to eat eggs and bacon. My sister's nose, which is long and thin, quivered a little at the tip, as it always does when she is interested or excited over anything. .

"Well?" she demanded.

"A bad business. Nothing to be done. Must have died in her sleep."

"I know," said my sister again.

This time I was annoyed.

"You can't know," I snapped. "I didn't know myself until I got there, and I haven't mentioned it to a soul yet. If that girl Annie knows, she must be a clairvoyant."

"It wasn't Annie who told me. It was the milkman. He had it from the Ferrars' cook."

As I say, there is no need for Caroline to go out to get information. She sits at home, and it comes to her.

My sister continued:

"What did she die of? Heart failure?"

"Didn't the milkman tell you that?" I inquired sarcastically.

Sarcasm is wasted on Caroline. She takes it seriously and answers accordingly.

"He didn't know," she explained.

After all, Caroline was bound to hear sooner or later. She might as well hear from me.

"She died of an overdose of veronal. She's been taking it lately for sleeplessness. Must have taken too much."

"Nonsense," said Caroline immediately. "She took it on purpose. Don't tell me!"

It is odd how, when you have a secret belief of your own which you do not wish to acknowledge, the voicing of it by someone else will rouse you to a fury of denial. I burst immediately into indignant speech.

"There you go again," I said. "Rushing along without rhyme or reason. Why on earth should Mrs. Ferrars wish to commit suicide? A widow, fairly young still, very well off, good health, and nothing to do but enjoy life. It's absurd."

"Not at all. Even you must have noticed how different she has been looking lately. It's been coming on for the last six months. She's looked positively hag-ridden. And you have just admitted that she hasn't been able to sleep."

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