The Last Unicorn

The Last Unicorn

by Peter S. Beagle

Narrated by Orlagh Cassidy, Joshua Kane

Unabridged — 8 hours, 9 minutes

The Last Unicorn

The Last Unicorn

by Peter S. Beagle

Narrated by Orlagh Cassidy, Joshua Kane

Unabridged — 8 hours, 9 minutes

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Overview

INCLUDES A NEW INTRODUCTION BY PATRICK ROTHFUSS

Experience one of the most enduring classics of the twentieth century and the book that The Atlantic has called “one of the best fantasy novels ever.”

The unicorn lived in a lilac wood, and she lived all alone...

...so she ventured out from the safety of the enchanted forest on a quest for others of her kind. Joined along the way by the bumbling magician Schmendrick and the indomitable Molly Grue, the unicorn learns all about the joys and sorrows of life and love before meeting her destiny in the castle of a despondent monarch-and confronting the creature that would drive her kind to extinction....

In The Last Unicorn, renowned and beloved novelist Peter S. Beagle spins a poignant tale of love, loss, and wonder that has resonated with millions of readers around the world.

“Peter S. Beagle illuminates with his own particular magic.”-Ursula K. Le Guin

Editorial Reviews

OCTOBER 2022 - AudioFile

Orlagh Cassidy narrates this classic of children’s literature. A unicorn believes she is the last of her kind. She decides to find out what happened to all others. She is captured by a gypsy, set free by a failed magician, and eventually turned into a human by the magician. Cassidy adopts a wistful tone as the unicorn goes through her tribulations. By the time the unicorn comes to the king’s castle as Lady Amalthea, Cassidy has brought a collection of characters to life. Among the most interesting is Prince Lir. Cassidy transforms him as he tries to win the heart of Lady Amalthea through heroic deeds and ends up a lovelorn poet. Joshua Kane delivers the introduction by Patrick Rothfuss. J.E.M. © AudioFile 2022, Portland, Maine

From the Publisher

Praise for Peter S. Beagle and The Last Unicorn

“Comes alive and stays alive on bright intensity of imagination.”—The New York Times Book Review

“Written in lyrical prose and rife with both whimsical humor and philosophical ruminations on what it means to be human, Beagle spins a quasi-medieval fairy tale that remains timeless.”—Time

The Last Unicorn is the best book I have ever read. You need to read it. If you've already read it, you need to read it again.”—Patrick Rothfuss

“Peter S. Beagle is (in no particular order) a wonderful writer, a fine human being, and a bandit prince out to steal readers’ hearts.”—Tad Williams
 
“Almost as if it were the last fairy tale, come out of lonely hiding in the forests of childhood, The Last Unicorn is as full of enchantment as any of the favorite tales readers may choose to recall...A delicate, sensitive, yet powerful rendering of all the intangibles that make a fairy tale unforgettable.”—St. Louis Post-Dispatch

“Beagle...has been compared, not unreasonably, with Lewis Carroll and J.R.R. Tolkien, but he stands squarely and triumphantly on his own feet...The book is rich, not only in comic bits but also in passages of uncommon beauty. Beagle is a true magician with words, a master of prose and a deft practitioner in verse.”—The Saturday Review
 

School Library Journal

Gr 6 Up—A beloved story is now a graphic novel in this excellent adaptation. A unicorn leaves her forest home to find out if she is the last of her kind, befriending Schmendrick, a hapless magician, and Molly Grue, a bandit leader's runaway wife. These are vivid and lovable characters, and the story is filled with action, romance, and humor. Much of the original novel's lyrical language has been included, and readers will be eager to find out if the unicorn will give up her quest for love, or if any of Schmendrick's spells will ever turn out right. The legendary creature resembles the one in the film, but De Liz's artistic vision is original. This unicorn shimmers and glows, her mane framing her face with Art Nouveau-style tendrils. The illustrations are graceful and detailed, and inked in warm, glowing colors. This is a worthy successor to the classic novel and film.—Lisa Goldstein, Brooklyn Public Library, NY

Library Journal

Beagle's odd fable has collected millions of fans since its 1968 publication and is considered a fantasy classic. Fearing that she's the last of her kind, a unicorn—accompanied by an incompetent magician and the former girlfriend of a cowardly outlaw—journeys to free the other unicorns from evil King Haggard. It's a mashup of quest tales, heroic and otherwise, about seeking family (the Unicorn), love (Haggard's son, Prince Lir), power (Haggard), competence (Schmendrick the magician), and adventure (Molly). Yet beyond archetypes, the engaging characters carry the narrative, which becomes a quasi-Rorschach for readers to find in it what they will. Gillis and De Liz's adaptation succeeds with overall visual loveliness and striking design and coloring, although some details don't quite fit. The Unicorn, for example, seems too My Little Pony about the head, while her human persona, Amalthea, looks childishly dim-witted. But De Liz shines with the ornamentally grotesque Mommy Fortuna and her harpy. VERDICT Many fans of the story should enjoy this comics version, and new readers will find it an easygoing and beautiful read. Recommended for tweens and up.—M.C.

OCTOBER 2022 - AudioFile

Orlagh Cassidy narrates this classic of children’s literature. A unicorn believes she is the last of her kind. She decides to find out what happened to all others. She is captured by a gypsy, set free by a failed magician, and eventually turned into a human by the magician. Cassidy adopts a wistful tone as the unicorn goes through her tribulations. By the time the unicorn comes to the king’s castle as Lady Amalthea, Cassidy has brought a collection of characters to life. Among the most interesting is Prince Lir. Cassidy transforms him as he tries to win the heart of Lady Amalthea through heroic deeds and ends up a lovelorn poet. Joshua Kane delivers the introduction by Patrick Rothfuss. J.E.M. © AudioFile 2022, Portland, Maine

Product Details

BN ID: 2940175708517
Publisher: Penguin Random House
Publication date: 07/26/2022
Edition description: Unabridged
Sales rank: 628,608

Read an Excerpt

The unicorn lived in a lilac wood, and she lived all alone. She was very old, though she did not know it, and she was no longer the careless color of sea foam, but rather the color of snow falling on a moonlit night. But her eyes were still clear and unwearied, and she still moved like a shadow on the sea.


She did not look anything like a horned horse, as unicorns are often pictured, being smaller and cloven-hoofed, and possessing that oldest, wildest grace that horses have never had, that deer have only in a shy, thin imitation and goats in dancing mockery. Her neck was long and slender, making her head seem smaller than it was, and the mane that fell almost to the middle of her back was as soft as dandelion fluff and as fine as cirrus. She had pointed ears and thin legs, with feathers of white hair at the ankles; and the long horn above her eyes shone and shivered with its own seashell light even in the deepest midnight. She had killed dragons with it, and healed a king whose poisoned wound would not close, and knocked down ripe chestnuts for bear cubs.

Unicorns are immortal. It is their nature to live alone in one place: usually a forest where there is a pool clear enough for them to see themselves-for they are a little vain, knowing themselves to be the most beautiful creatures in all the world, and magic besides. They mate very rarely, and no place is more enchanted than one where a unicorn has been born. The last time she had seen another unicorn the young virgins who still came seeking her now and then had called to her in a different tongue; but then, she had no idea of months and years and centuries, or even of seasons. It was always spring in her forest, because she lived there, and she wandered all day among the great beech trees, keeping watch over the animals that lived in the ground and under bushes, in nests and caves, earths and treetops. Generation after generation, wolves and rabbits alike, they hunted and loved and had children and died, and as the unicorn did none of these things, she never grew tired of watching them.

One day it happened that two men with long bows rode through her forest, hunting for deer. The unicorn followed them, moving so warily that not even the horses knew she was near. The sight of men filled her with an old, slow, strange mixture of tenderness and terror. She never let one see her if she could help it, but she liked to watch them ride by and hear them talking.

"I mislike the feel of this forest," the elder of the two hunters grumbled. "Creatures that live in a unicorn's wood learn a little magic of their own in time, mainly concerned with disappearing. We'll find no game here."

"Unicorns are long gone," the second man said. "If, indeed, they ever were. This is a forest like any other."

"Then why do the leaves never fall here, or the snow? I tell you, there is one unicorn left in the world-good luck to the lonely old thing, I say-and as long as it lives in this forest, there won't be a hunter who takes so much as a titmouse home at his saddle. Ride on, ride on, you'll see. I know their ways, unicorns."

"From books," answered the other. "Only from books and tales and songs. Not in the reign of three kings has there been even a whisper of a unicorn seen in this country or any other. You know no more about unicorns than I do, for I've read the same books and heard the same stories, and I've never seen one either."

The first hunter was silent for a time, and the second whistled sourly to himself. Then the first said, "My great-grandmother saw a unicorn once. She used to tell me about it when I was little."

"Oh, indeed? And did she capture it with a golden bridle?"

"No. She didn't have one. You don't have to have a golden bridle to catch a unicorn; that part's the fairy tale. You need only to be pure of heart."

"Yes, yes." The younger man chuckled. "Did she ride her unicorn, then? Bareback, under the trees, like a nymph in the early days of the world?"

"My great-grandmother was afraid of large animals," said the first hunter. "She didn't ride it, but she sat very still, and the unicorn put its head in her lap and fell asleep. My great-grandmother never moved till it woke."

"What did it look like? Pliny describes the unicorn as being very ferocious, similar in the rest of its body to a horse, with the head of a deer, the feet of an elephant, the tail of a bear; a deep, bellowing voice; and a single black horn, two cubits in length. And the Chinese-"

"My great-grandmother said only that the unicorn had a good smell. She never could abide the smell of any beast, even a cat or a cow, let alone a wild thing. But she loved the smell of the unicorn. She began to cry once, telling me about it. Of course, she was a very old woman then, and cried at anything that reminded her of her youth."

"Let's turn around and hunt somewhere else," the second hunter said abruptly. The unicorn stepped softly into a thicket as they turned their horses, and took up the trail only when they were well ahead of her once more. The men rode in silence until they were nearing the edge of the forest, when the second hunter asked quietly, "Why did they go away, do you think? If there ever were such things."

"Who knows? Times change. Would you call this age a good one for unicorns?"

"No, but I wonder if any man before us ever thought his time a good time for unicorns. And it seems to me now that I have heard stories-but I was sleepy with wine, or I was thinking of something else. Well, no matter. There's light enough yet to hunt, if we hurry. Come!"

They broke out of the woods, kicked their horses to a gallop, and dashed away. But before they were out of sight, the first hunter looked back over his shoulder and called, just as though he could see the unicorn standing in shadow, "Stay where you are, poor beast. This is no world for you. Stay in your forest, and keep your trees green and your friends long-lived. Pay no mind to young girls, for they never become anything more than silly old women. And good luck to you."

The unicorn stood still at the edge of the forest and said aloud, "I am the only unicorn there is." They were the first words she had spoken, even to herself, in more than a hundred years.

That can't be, she thought. She had never minded being alone, never seeing another unicorn, because she had always known that there were others like her in the world, and a unicorn needs no more than that for company. "But I would know if all the others were gone. I'd be gone too. Nothing can happen to them that does not happen to me."

Her own voice frightened her and made her want to be running. She moved along the dark paths of her forest, swift and shining, passing through sudden clearings unbearably brilliant with grass or soft with shadow, aware of everything around her, from the weeds that brushed her ankles to insect-quick flickers of blue and silver as the wind lifted the leaves. "Oh, I could never leave this, I never could, not if I really were the only unicorn in the world. I know how to live here, I know how everything smells, and tastes, and is. What could I ever search for in the world, except this again?"

But when she stopped running at last and stood still, listening to crows and a quarrel of squirrels over her head, she wondered, But suppose they are hiding together, somewhere far away? What if they are hiding and waiting for me?

From that first moment of doubt, there was no peace for her; from the time she first imagined leaving her forest, she could not stand in one place without wanting to be somewhere else. She trotted up and down beside her pool, restless and unhappy. Unicorns are not meant to make choices. She said no, and yes, and no again, day and night, and for the first time she began to feel the minutes crawling over her like worms. "I will not go. Because men have seen no unicorns for a while does not mean they have all vanished. Even if it were true, I would not go. I live here."

But at last she woke up in the middle of one warm night and said, "Yes, but now." She hurried through her forest, trying to look at nothing and smell nothing, trying not to feel her earth under her cloven hoofs. The animals who move in the dark, the owls and the foxes and the deer, raised their heads as she passed by, but she would not look at them. I must go quickly, she thought, and come back as soon as I can. Maybe I won't have to go very far. But whether I find the others or not, I will come back very soon, as soon as I can.

Under the moon, the road that ran from the edge of her forest gleamed like water, but when she stepped out onto it, away from the trees, she felt how hard it was, and how long. She almost turned back then; but instead she took a deep breath of the wood's air that still drifted to her, and held it in her mouth like a flower, as long as she could.

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